Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
It was eleven o'clock when we entered Valez-Malaga; the windows
were joyfully lighted up, and the streets re-echoed with songs and
the sounds of guitars. The young maidens seated in the balconies
were singing verses which the _novios_ accompanied from the
street below, and each stanza was followed by laughter, shouts,
and applause, which I thought would never end. Other groups were
dancing the cachucha, the fandango, and the jalo, at the corners
of the streets. The guitars emitted a dull hum like that of bees,
the castagnettes rattled merrily, and all was music and delight.
It would almost appear as if the most important business of a
Spaniard's life were pleasure; he gives himself up to it, heart
and soul, with admirable ease and frankness. No nation in the
world appears to know less of misfortune than the Spaniards, and
a stranger travelling through the Peninsula can scarcely believe
that the state of political affairs can be so serious, or that
he is traversing a country which for ten years has been ravaged
and laid waste by civil war. Our peasants are far from possessing
the happy carelessness, the joyful look, and the elegant costume
of the Andalusian _majos_, and in the matter of education they
are greatly inferior to them. Almost all the Spanish peasants can
write; their minds are stored with poetry, which they recite or
sing without destroying the measure; they are good horsemen, and
very dexterous in the use of the knife and carbine. It is true that
the admirable fertility of the soil and the beauty of the climate
relieves them from the necessity of that brutalizing work, which,
in less favoured countries, reduces man to the condition of a beast
of burden or a machine, and robs him of those two gifts of heaven,
force and beauty.
It was not without a feeling of the profoundest satisfaction, that
I tied my mule to the bars of the posada.
Public-domain text, read in full here on John Shaqi.
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