Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The aspect of Cartagena differs entirely from that of Malaga.
Buried in its crown of bare and sterile rocks, which are as dry as
the Egyptian hills of the ancient Pharaohs, Cartagena is as dull
and grim as Malaga is gay, cheerful, and animated. You no longer
see whitewashed walls, for they are all dark-coloured, and the
windows are grated with a complication of iron-work; while the
houses, still more ill-looking, possess that prison-like appearance
which distinguishes all Castilian mansions. Yet, as we do not
wish to fall into the error of that traveller who wrote in his
note-book, "All the women at Calais are cross, red-haired, and
hump-backed," because the landlady of his inn united in herself
these three defects, we must own that we perceived at these barred
windows none but charming features and angelic faces: it is perhaps
on this account that they are grated so carefully. While waiting
for dinner, we went to visit the naval arsenal, an establishment
of the grandest proportions, but at present in a state of grievous
dilapidation; its vast basins, its stocks and idle dockyards, in
which another armada might be built, are used for nothing now.
Two or three half-constructed hulls, looking like the stranded
skeletons of so many cachelots, are rotting unheeded in a corner;
thousands of crickets have taken possession of those large deserted
vessels, and you cannot make a step without crushing some of them;
the noise they make, too, with their little rattles, is so great,
that you can hardly hear yourself speak. In spite of the love I
profess to have for crickets, love which I have expressed both in
prose and verse, I must frankly own that here there were somewhat
too many for me.
From Cartagena, we went as far as the town of Alicant, of which
I had mentally formed, from a verse in the _Orientale_ of Victor
Hugo, a much too denticulated sketch:
"Alicante aux clochers mêle les minarets."
Public-domain text, read in full here on John Shaqi.
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