Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
Antonio Rodriguez gave him a tremendous thrust with his lance, and
inflicted a second wound just beside the first, for it is only
allowable to hit the bull in the shoulder. But he again rushed
towards Rodriguez with his head near the ground, and plunged his
horn right into the horse's belly. The _chulos_ ran up, waving
their pieces of cloth, and the stupid animal, attracted and
diverted by this fresh object, turned round and pursued them at
full speed; but the _chulos_, placing one foot on the ledge we have
already described, leaped lightly over the barrier, leaving him
very much astonished at no longer seeing any one.
The horn had completely ripped up the horse's belly, so that his
entrails came through, and almost touched the ground. I thought
that the _picador_ would retire and procure another steed; this
was, however, far from being the case; he touched his ear, to see
whether or not the wound was mortal. The horse was only unseamed;
although his wound was most horrible to behold, it could be healed.
The entrails are replaced in his belly, a needle and thread are
passed through the skin, and the poor creature is still capable of
being used again. Rodriguez gave him the spur, and cantered up to
take another position at a little distance off.
It now seemed to strike the bull that all he should get from the
_picadores_ were hard thrusts, and he began to feel a desire
to return to his pasture. Instead of _entering_ again without
hesitation, after making a few bounds, he returned, with the most
dogged resolution, to his _querencia_; the _querencia_ is the
technical term for some corner or other that the bull chooses for
a resting-place, and to which he always retires after having made
the _cogida_. This word is employed to designate the attack of the
bull, while _la suerte_ is used in speaking of the _torrero_, who
is likewise named _diestro_.
Public-domain text, read in full here on John Shaqi.
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