Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The bulls are not always very savage; some are even very gentle,
and would only be too happy to lie down quietly in the shade.
It is easy to perceive, by their good-natured honest look, that
they prefer their pastures to the circus. They turn their backs
on the _picadores_, and, in the most phlegmatic manner, allow the
_chulos_ to wave their many-coloured cloaks under their very nose.
Not even the _banderillas_ can rouse them from their apathetic
condition. In cases like these, it is necessary to have recourse
to more violent expedients; such, for example, as the _banderillas
de fuego_. These are slight sticks, with fireworks attached, which
go off some minutes after they are planted in the shoulders of the
_toro cobarde_ (coward) and explode with a shower of sparks and
detonations. By this ingenious contrivance, the bull is goaded,
burnt, and stunned simultaneously; were he the most _aplomado_
(leaden) of bulls, he cannot possibly avoid becoming furious. He
indulges in a succession of extravagant capers, of which no one
would ever suppose so heavy an animal capable; he bellows, foams,
and twists himself about in every direction, to escape from the
disagreeable proximity of the fireworks, which are burning his ears
and scorching his hide.
The _banderillas de fuego_, however, are never used but at the
last extremity; the fight is considered, as it were, disgraced
when it is necessary to have recourse to them; but if the alcade
is too long before waving his handkerchief as a sign that he
allows them to be employed, the public create such a horrible
disturbance that he is obliged to yield. The most extraordinary
vociferations, howling, shouting, and stamping of feet, break out
on all sides. Some holla "_Banderillas de fuego!_" while others
exclaim, "_Perros! perros!_" (The dogs!) The bull is overwhelmed
with abuse; he is called a scoundrel, an assassin, a thief; the
spectators offer him a place in the shade, and indulge in all
sorts of pleasantry, which is frequently very witty. In a short
time a chorus of sticks is added to the vociferations, if the
latter do not produce the desired effect. The flooring of the
_palcos_ creaks and gapes, and the painting on the ceilings falls
in small whitish pellicles, like so much snow mixed with dust.
The public becomes exasperated to the highest pitch. "_Fuego al
alcade! perros el alcade!_" (Burn the alcade! to the dogs with
him!) shout the incensed multitude, shaking their fists at the box
of the _ayuntamiento_. At last, the much desired permission is
granted, and everything becomes quiet again. During these kinds of
_jawing-matches_--excuse the term, but I cannot find a better--you
often hear some very humorous remarks. I will instance one that is
very concise and very cutting. A _picador_, magnificently dressed
in a completely new suit, was showing off on his horse without
taking any part in the proceedings, and remaining in a part of the
circus where there was no danger. "_Pintura! pintura!_" hollaed
Public-domain text, read in full here on John Shaqi.
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