Gautier, Théophile, 1811-1872 -- Travel -- Spain; Spain -- Description and travel; Spain -- Social life and customs -- 19th century
The proceedings are frequently varied by their making the sign of
the cross in the Spanish manner, which is much more complicated
than ours; they execute this manœuvre with a degree of rapidity and
precision worthy of Prussian soldiers. The management of the fan is
an art that is totally unknown in France. The Spanish women excel
in it; the fan opens, shuts, and is twirled about in their fingers
so rapidly and so lightly, that a conjurer could not do it better.
Some ladies who are great amateurs have a most valuable collection
of fans. We ourselves saw a collection of this kind which numbered
more than a hundred, of various patterns. There were fans of every
country and every period; fans made of ivory, tortoiseshell,
sandal-wood, adorned with spangles, or painted in water-colours, in
the style of Louis XIV. and Louis XV.; fans made of China or Japan
rice-paper; in a word, fans of every possible description. Some
of them were decorated with rubies, diamonds, and other precious
stones. This custom of forming large collections of fans is a piece
of tasteful extravagance, a charming mania in a pretty woman. The
shutting and opening of the fans produce a little hissing sound,
which, being repeated more than a thousand times a minute, pierces
the confused hum which floats above the crowd, and has something
very strange about it for a French ear. When a woman meets one
of her acquaintance, she makes a little sign with her fan, and
pronounces the word _agur_ as she passes him. At present let us say
something about Spanish beauty.
What we Frenchmen believe to constitute the Spanish type does
not exist in Spain; at least, I have not met with it as yet. We
generally picture to ourselves, whenever a señora or a mantilla is
mentioned, a long, pale, oval face, large black eyes with velvet
eyebrows, a sharp nose, slightly arched, a pair of bright red
lips, and, to complete the whole, a warm, gold-like tint, bearing
out the line in the song, _Elle est jaune comme une orange_ (She
is as yellow as an orange). This is the Arabic or Moorish, and
not the Spanish type. The women of Madrid are charming creatures,
in the fullest acceptation of the word; out of every four, there
are three who are pretty; but they do not correspond in the least
with the notion we have formed of them. They are short, delicate,
and well-shaped; their foot is small, their figure graceful, and
their bust full and voluptuous; but their skin is very white,
their features fine and irregular, and their mouth formed like a
heart, resembling exactly some of our beauties in the time of the
Regent.[6] Many have light chestnut hair, and you cannot take two
turns upon the Prado without meeting seven or eight women with fair
hair of every possible shade, from the light blond to the most
vivid red, like the beard of Charles V. It is an error to suppose
that there are no fair-complexioned women in Spain. Blue eyes are
very common, but they are not so highly esteemed as black ones.
Public-domain text, read in full here on John Shaqi.
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