And the longer I remain here the more I am impressed with the horror of
the place. Oh this cemetery which, instead of ending like things in real
life, plunges little by little into enfolding mists; these tombs, these
tombs all decked with gem-like icicles which have dropped as tears drop;
the whiteness of the soil, the whiteness of everything, and Death which
returns and hovers stealthily, uttering a little cry like a bird!
Yonder, by the grave of Pierre D----, I notice Osman, likewise much
blurred in the fog. He has found a spade, which has doubtless remained
there ever since the interments, and he finishes burying the little
bottle which is to serve as a token.
Again that sound, "Cooee you! Cooee you!" The place is decidedly
unhealthy, as the soldiers say. I should be to blame if I lingered here
any longer.
Upon my soul, here comes shrapnel! But before I heard it explode in the
air I recognised it by the sound of its flight, which is different from
that of ordinary shells. This first shot is aimed too far to the right,
and the fragments fall twenty or thirty yards away on the little white
hillocks. But they have found us out, so much is certain, and that is
owing to the microphones. This will continue, and there is no cover
anywhere, not a single trench, not a single hole.
"Stoop down, sir, stoop down," shouts Osman from the distance, seeing
another coming towards me while my attention is still occupied with the
graves. Why should I stoop down? It is a useful precaution against
shells. But against shrapnel, which strikes downwards from above? No,
we ought to have our steel helmets, but carelessly, anticipating no
danger, we left them in the car with our masks. All that is left for us
is to beat a hasty retreat. Osman comes running towards me with his
spade and his second little bottle, and I shout at him:
"No, no, it is too late, you must run away."
Good heavens, the car has not even been turned! Why, that was an
elementary precaution, and as soon as we arrived I ought to have seen to
that. What a long, black record of carelessness to-day; where is my
head? It is because our entry to the cemetery was so undisturbed. I call
out to the two chauffeurs who were still taking photographs:
"Stop that, stop! Go at once and turn the car! Not too fast though, or
you will make too much noise, but hurry up! Run!"
Osman took advantage of this diversion with the chauffeurs to begin
digging in the ground near me.
"No, I tell you, stop at once. Can you not see that they are still
shelling us? Run and get behind a tree by the roadside."
"But it is all right, sir, it is just finished. It will be finished by
the time the car has been turned."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account