Ah! to complete the impression of unreality a black bird appears of
fabulous size, a monster of the Apocalypse, flying with great clamour
aloft in the air. He is moving in the direction of France, seeking, no
doubt, some more sheltered region, where at last women and children are
to be found, in the hope of destroying some of them. I keep on walking,
if walking it can be called, this wearisome, pitiless repetition of
plunges into snow and ice-cold mud. At last I reach the clump of trees
where we have arranged to meet. I am thankful to have arrived there, for
my helmet and cap were encumbrances under that unexpectedly hot sun. I
am, however, before my time. The officer whom I invited to meet me
here--in order to discuss questions concerning new works of defence, new
networks of lines, new pits--that is he, no doubt, that blue silhouette
coming this way across the snow-shrouded ground. But he is far away, and
for a few more moments I can still indulge in the reverie with which I
whiled away the journey, before the time comes when I must once more
become precise and businesslike. Evidently the place is not one of
perfect peace, for it is clear that these melancholy boughs, half
stripped of leaves already, have suffered from those great humming
cockchafers that fly across from time to time, and have been shot
through as if they were no stronger than sheets of paper. It is, to be
sure, but a small wood, yet it keeps me company, wrapping me round with
an illusion of safety.
I am standing here on rising ground, where the wind blows more icily,
and I command a view of the whole terrible landscape, a succession of
monotonous hills, striped in zebra fashion with whitish trenches; its
few trees have been blasted by shrapnel. In the distance that network of
iron wire, stretching out in all directions, shines brightly in the sun,
and is not unlike the gossamer which floats over the meadows in spring
time. And on all sides the detonation of artillery continues with its
customary clamour, unceasing here, day and night, like the sea beating
against the cliffs.
Ah! the big black bird has found someone to talk to in the air. I see
it suddenly assailed by a quantity of those flakes of white cotton wool
(bursts of shrapnel), in appearance so innocent, yet so dangerous to
birds of his feather. So he hurriedly turns back, and his crimes are
postponed to another day.
Public-domain text, read in full here on John Shaqi.
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