War and the Future: Italy, France and Britain at WarWells, H. G. (Herbert George)
History
War and the Future: Italy, France and Britain at War
Wells, H. G. (Herbert George)
World War, 1914-1918
The form and texture of the coming warfare--if there is still warfare
to come--are not yet to be seen in their completeness upon the modern
battlefield. One swallow does not make a summer, nor a handful of
aeroplanes, a “Tank” or so, a few acres of shell craters, and a village
here and there, pounded out of recognition, do more than foreshadow
the spectacle of modernised war on land. War by these developments has
become the monopoly of the five great industrial powers; it is their
alternative to end or evolve it, and if they continue to disagree, then
it must needs become a spectacle of majestic horror such as no man
can yet conceive. It has been wise of Mr. Pennell therefore, who has
recently been drawing his impressions of the war upon stone, to make
his pictures not upon the battlefield, but among the huge industrial
apparatus that is thrusting behind and thrusting up through the war of
the gentlemen in spurs. He gives us the splendours and immensities of
forge and gun pit, furnace and mine shaft. He shows you how great they
are and how terrible. Among them go the little figures of men, robbed of
all dominance, robbed of all individual quality. He leaves it for you to
draw the obvious conclusion that presently, if we cannot contrive to
put an end to war, blacknessess like these, enormities and flares
and towering threats, will follow in the track of the Tanks and come
trampling over the bickering confusion of mankind.
There is something very striking in these insignificant and incidental
men that Mr. Pennell shows us. Nowhere does a man dominate in all these
wonderful pictures. You may argue perhaps that that is untrue to the
essential realities; all this array of machine and workshop, all this
marshalled power and purpose, has been the creation of inventor and
business organiser. But are we not a little too free with that word
“_creation_”? Falstaff was a “creation” perhaps, or the Sistine sibyls;
there we have indubitably an end conceived and sought and achieved; but
did these inventors and business organisers do more than heed certain
unavoidable imperatives? Seeking coal they were obliged to mine in a
certain way; seeking steel they had to do this and this and not that and
that; seeking profit they had to obey the imperative of the economy. So
little did they plan their ends that most of these manufacturers speak
with a kind of astonishment of the deadly use to which their works are
put. They find themselves making the new war as a man might wake out of
some drugged condition to find himself strangling his mother.
Public-domain text, read in full here on John Shaqi.
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