_The Official Description._--"Both sides of the medal are treated allegorically, except the central part of the obverse, which represents the busts of the four allied Sovereigns, the Prince Regent, Emperor of Austria, Emperor of Russia, and King of Prussia, grouped together in profile. Around this group of actual portraits the figures constitute an allegorical and mythological allusion to the treaty of peace which was consequent upon the great triumph on the field of battle. The summit of the surrounding groupings presents Apollo in his car restoring the day. The rainbow zephyr and Iris follow the chariot of the sun in succession, but the zephyr is tending towards the earth, and scattering flowers, as the emblem of peace and tranquillity. "On the opposite side, the car of Apollo is seen closely approaching the constellation Gemini, personified, as usual, by a pair of graceful youths, indicating the month in which the great contest took place. Castor and Pollux, each armed with spears, are intended to elucidate the apotheosis of Wellington and Blucher. Themis, the goddess of justice, appears on earth, as in the Golden Age. This figure is placed in front of the profile busts of the Sovereigns, to show that Justice is a greater security to government than Power. The goddess is seated on a rock; a palm-tree waves over her head; she is prepared to reward virtue with its branches in one hand, and in the other holds a sword for the ready punishment of crime. Power is personified by a robust man of mature age, bearded, and armed with a club; he is seated under an oak-tree, and forms the corresponding figure, at the back of the group of busts of the Allied Sovereigns, to that of Justice facing it. Beneath Themis the Fates are introduced, to indicate that henceforward human actions will be controlled by Justice alone. These actions and passions are represented by the Furies, which, being placed beneath the emblematical figure of Power, are subjected to its influence, and no longer suffered to quit the infernal regions, or Cimmerian caverns, in which, at the base of this side of the medal, the allegory is completed by the figure of Night, the mother of the Fates, receding into darkness from the ruling daylight of Phœbus' car on the summit.