Her second declaration is more minute and connected, but still it
is a jumbled and very unsatisfactory narrative, or rather child
gossip, of the circumstances and incidents as they occurred previous
and up to the instant of the catastrophe. She again speaks of a
soldier,—_the one whose hand was cut_; says she saw him in a garden
as they passed along,—the garden across the brook; that he followed
them into the woods. She now goes back to her trip out of Boston
toward the wood, and tells that they got out at Burroughs Street,
walked up the plain or plank (hard to decipher), till they came to a
juncture of the road where it crosses the track of the steam cars,
then to the right, and round a store or stone house to the left, over
the brook to the other side. She expressly and suddenly declares, at
this point of her recital, that _she does not remember him_. After
they climbed over the gate (supposed to be the gate very near where
she was found, and which opens from the Dedham road; there is another
gate between the murder spot and Mr. Motley’s house), they saw the
man. He followed, but up to that moment had not spoken to her. He now
seems to have turned back, but, changing his mind, returned quickly
and addressed her. At this she became alarmed and fled; he pursued.
There is much confusion here,—a scuffling and tussling of sentences
as if a mimic was giving to the life some quickly whirling scene of
trouble and irritation and surprise, wherein there was the essence of
a great danger.
Public-domain text, read in full here on John Shaqi.
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