Domestic fiction; Fathers and daughters -- Fiction; Love stories; Washington Square (New York, N.Y.) -- Fiction; Young women -- Fiction
“You shall have everything back!”
“You wouldn’t say that if you didn’t mean something. What is it?—what
has happened?—what have I done?—what has changed you?”
“I will write to you—that is better,” Morris stammered.
“Ah, you won’t come back!” she cried, bursting into tears.
“Dear Catherine,” he said, “don’t believe that I promise you that you
shall see me again!” And he managed to get away and to close the door
behind him.
XXX
IT was almost her last outbreak of passive grief; at least, she never
indulged in another that the world knew anything about. But this one was
long and terrible; she flung herself on the sofa and gave herself up to
her misery. She hardly knew what had happened; ostensibly she had only
had a difference with her lover, as other girls had had before, and the
thing was not only not a rupture, but she was under no obligation to
regard it even as a menace. Nevertheless, she felt a wound, even if he
had not dealt it; it seemed to her that a mask had suddenly fallen from
his face. He had wished to get away from her; he had been angry and
cruel, and said strange things, with strange looks. She was smothered
and stunned; she buried her head in the cushions, sobbing and talking to
herself. But at last she raised herself, with the fear that either her
father or Mrs. Penniman would come in; and then she sat there, staring
before her, while the room grew darker. She said to herself that perhaps
he would come back to tell her he had not meant what he said; and she
listened for his ring at the door, trying to believe that this was
probable. A long time passed, but Morris remained absent; the shadows
gathered; the evening settled down on the meagre elegance of the light,
clear-coloured room; the fire went out. When it had grown dark,
Catherine went to the window and looked out; she stood there for half an
hour, on the mere chance that he would come up the steps. At last she
turned away, for she saw her father come in. He had seen her at the
window looking out, and he stopped a moment at the bottom of the white
steps, and gravely, with an air of exaggerated courtesy, lifted his hat
to her. The gesture was so incongruous to the condition she was in, this
stately tribute of respect to a poor girl despised and forsaken was so
out of place, that the thing gave her a kind of horror, and she hurried
away to her room. It seemed to her that she had given Morris up.
Public-domain text, read in full here on John Shaqi.
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