Wastralls: A NovelDawson Scott, C. A. (Catharine Amy)
General
Wastralls: A Novel
Dawson Scott, C. A. (Catharine Amy)
Cornwall (England : County) -- Fiction; Farm life -- Fiction; Husband and wife -- Fiction
As the funeral procession was to leave Wastralls at 1.30 P.M., by eleven
that morning the road from Four Turnings was black with farmers’ carts,
with people from the hamlets of Church Town, of Shoppe and of Cottages,
with people who had come from the distant towns of St. Columb and
Wadebridge. For three generations Mrs. Byron’s family had taken a
leading part in the affairs of the district. The memory of man went back
to Old Squire—a personality so pronounced that it had obliterated the
more shadowy figures of its ancestry. From Old Squire, who had added
acre to acre, to Sabina Byron the bold yet conservative farmer, was but
a life and imagination had leaped it. Like her grandfather she was an
outstanding figure, a woman of whom the countryside had been half proud,
half envious. The lamentable tragedy of her accident, setting her apart
from struggling humanity, had affected the popular opinion. Successful
beyond the ordinary she had in a twinkling been reduced to helplessness
and, before interest in her—the tenacious interest of the agricultural
mind—had had time to wane, the last misfortune had overtaken her. The
people would follow her to her grave, not only out of respect for the
Rosevears, but as a protest against fate which, not content with the
inevitable, the building up or the breaking down, must introduce into
the affairs of man, a harsh caprice.
On ordinary occasions people approached Wastralls by way of the yard but
this being one of ceremonial the visitors went past the blind wall at
the end and up the weed-grown avenue of ’grubby elms.’ The
double-leaved door, studded with iron heads, stood hospitably open and,
on the hearth, a hearth which had not been modernized, a pile of
seasoned wood was burning. On the stone chequers of the floor lay some
faded rugs, the colours of which were yet bright enough to throw the
sombre figures of the mourners into relief. The dull Oriental reds made
a strange setting for these men and women from whom work and time had
stolen the young comeliness and who, in their harsh ill-fitting black,
appeared so awkward and ill at ease. The proportions of the hall were
good but man, who had dreamed it and set it up, seemed unworthy of it, a
poorer thing than that which he had made.
Public-domain text, read in full here on John Shaqi.
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