Wastralls: A NovelDawson Scott, C. A. (Catharine Amy)
General
Wastralls: A Novel
Dawson Scott, C. A. (Catharine Amy)
Cornwall (England : County) -- Fiction; Farm life -- Fiction; Husband and wife -- Fiction
Above the black oblong of the mill the rim of the moon was showing
golden, that wonderful West-country moon, which hangs, a clear lamp of
light, far above cloud and mist. The beams falling across the yard,
across the ricks, had not yet reached Wastralls. The house stood
withdrawn below the hills and, for the first time, Sabina felt her home
to be remote from the warm friendliness of the world. She saw it that
night approximately as it appeared to others, a place cut off by its
situation. The valley being far from the main highway, strangers were
unaware of it. The road through, led to nothing but the teeth of the
devouring sea and, as the hamlet of Cottages was the most cheerful spot
in Trevorrick, so Wastralls was the most lonely and the most lost.
Hember windows were always aglow. The sun found them by day and the
moon by night. They glowed from within, from the fires of driftwood and
sea-coal, from lamps swinging under the dark rafters, from the fires of
life. Sabina, reluctantly returning to the house, could not but
contrast the light and music of Hember, its continual coming and going,
with the dark desolation, the stagnant peace of Wastralls. Never had it
been otherwise. Her earliest recollections were of long hours when, her
father being at the Dolphin, the servant would take advantage and be
’walking out.’ The child, given the run of the empty rooms and left to
her own devices, had peopled the place with imaginary figures. Even at
this distance of time she could recall their ’names and
attributes—Tinkle Minkle who was black and made of sugar, Creekuk and
Clokuk the eiderdown men, and Tinkle Farg who, still more absurd, had
been ’shy with a buffalo!’ Naturally social she had liked to imagine a
face at every window, children playing under the ’grubby elms’ of the
avenue and among the animals in the yard. She had looked forward to the
time when she should be grown up and married. "One child is a
misfortune," she had told her father at the ripe age of ten, "I’m going
to ’ave lots when I marry. I’m going to full the rooms."
The sound of a harmonium came to her through the stillness, but so faint
was it she could hardly distinguish the tune. At Hember they were
singing the familiar hymns in which all could join. The sound drew the
listening woman. How often when weary of imaginary companions had she
run up the lane and joined her cousins at their play! Hember had been a
bright spot in her life. All that she knew of sewing and housewifery,
her aunt had taught her; and Tom had wanted to marry her, yes—Tom and
Constantine. Poor old Constantine, he had tried his best. But Tom, the
rascal, Tom had been looking two ways at once. She sighed, the gusty
sigh of a stout middle-aged woman who wishes the hot cake of youthful
joys, with its plums and its citron and its spice, was once more whole
in her hand.
Public-domain text, read in full here on John Shaqi.
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