Guardian and ward -- Fiction; Love stories; Mate selection -- Fiction
Nora wondered on her own side whether this scene had not been a
little pre-arranged. For a day love and doubt fared in company.
Lucinda’s mournful discourse on the morrow was not of a nature to
restore her calmness. “Last night,” said Roger’s nurse, “he was very
bad. He woke up out of his stupor, but he was none the better for
that. He talked all night about you. If he murmurs a word, it’s
always your name. He asked a dozen times if you had arrived, and
forgot as often as I told him,—he, dear man, who used to remember
the very hairs of your head. He kept wondering whether anything had
happened to you. Late in the evening, when the carriages began to
pass, he cried out that each of them was you, and what would you
think of him for not coming to meet you? ‘Don’t tell her how bad I
am,’ he says; ‘I must have been in bed two or three days, haven’t I,
Lucinda? Say I shall be out to-morrow; that I have only a little
cold. Hubert will do everything for her,’ he kept saying. And then
when, at midnight, the wind began to blow, he declared it was a
storm, that your ship was on the coast. God keep you safe, he cried.
Then he asked if you were changed and grown; were you pretty, were
you tall, should he know you? And he took the hand-glass and looked
at himself and wondered if you would know him. He cried out that he
was ugly, he was horrible, you would hate him. He bade me bring him
his dressing things so that he might make himself look better, and
when I wouldn’t, he began to rage and call me names, and then he
broke down and cried like a child.” Hearing these things, Nora
prayed intently for Roger’s recovery,—prayed that he might live to
see her more cunningly and lovingly his debtor. She wished to do
something, she hardly knew what, not only to prove, but forever to
commemorate, her devotion. She felt capable of erecting a monument
of self-sacrifice. Her conscience was perfectly at rest.
For a couple of days she saw nothing of Hubert. On the third there
came excellent news of Roger, who had taken a marked turn for the
better, and had passed the crisis. She had declined, for the
evening, a certain attractive invitation; but on the receipt of these
tidings she revoked her refusal. Coming down to the drawing-room
with Mrs. Keith, dressed and shawled, she found Hubert in waiting,
with a face which uttered bad news. Roger’s improvement had been
momentary, a relapse had followed, and he was worse than ever. She
tossed off her shawl with an energy not unnoted by her duenna. “Of
course I cannot go,” she said. “It is neither possible nor proper.”
Mrs. Keith would have given her biggest bracelet that this thing
should not have happened in just this way; but she submitted with a
good grace,—for a duenna. Hubert went down with her to her
carriage. At the foot of the stairs she stopped, and while gathering
up her skirts, “Mr. Lawrence,” she demanded, “are you going to remain
here?”
Public-domain text, read in full here on John Shaqi.
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