Watch Yourself Go ByField, Al. G. (Alfred Griffith)
General
Watch Yourself Go By
Field, Al. G. (Alfred Griffith)
Circus performers -- United States -- Biography; Field, Al. G. (Alfred Griffith), 1848-1921; Wit and humor
We generally judge others as to their attitude towards us, agreeable or
otherwise. Our estimate of another depends greatly upon the manner in
which that person affects our interests. It is difficult to think well
or speak well of those by whom we are crossed or thwarted. But we are
ever ready to find excuses for the vices of those who are useful and
agreeable to us. Therefore, he is a mighty poor mortal who is not
something on his own account.
Alfred had graduated in that dear old school of experience, wherein
education costs more but lasts longer than that acquired in colleges,
that it is with the follies of the mind as with the weeds of a
field--those destroyed and consumed upon the place of their growth,
enrich and improve that place more than if none had ever grown there.
The boy had been so continually advised against evil associates that he
began taking a mental inventory of every stranger at first meeting.
Harrison was his estimate of the bad; Mr. Steele of the good.
Alfred had arrived at that stage where he not only stood aside and
watched himself go by, but he was also watching the other fellow go by.
He was out of newspaper business, out of the tannery, had abandoned the
practice of medicine. Charley's father, who was very strict with his
boys, advised the parent to "give Alfred more tether, not to stake him
down too close. Give him a little more rope, there's something in that
boy." All of which was communicated to Alfred by Cousin Charley, and
Uncle Bill was thus greatly elevated in Alfred's estimation.
Alfred's father was little short of a genius in a mechanical way; he had
a peculiar temperament, mild and easily influenced. He was a creditable
artist; many meritorious paintings from his brush in both oil and water
adorn the walls of the residences of his friends. He was greatly
interested in mechanical pursuits, particularly if of an artistic
character.
When Uncle Joe prepared to build a house, "Pap" made the plans; when
Sells Brothers built a tableau car or an animal van of an elaborate
character, "daddy" made the drawings; when Aunt Betsy desired patterns
to make a quilt to take the premium at the fair, "pap" made the drawings
or figures.
He became acquainted with an artist from Philadelphia and was completely
taken with the man's talents. The artist informed him in confidence that
he had expended the greater portion of his man life on a work of art
that would astonish the world, the father became even more interested in
him.
The father was the only person who had ever been permitted to look upon
the wonderful creation of his genius; yard after yard of art was unwound
for the admiration of the father. When he returned from his second visit
to the art gallery of the Philadelphia artist, he interested the family
greatly by his description of the wonderful scenes the painter had
wrought on the canvas.
Public-domain text, read in full here on John Shaqi.
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