Watch Yourself Go ByField, Al. G. (Alfred Griffith)
General
Watch Yourself Go By
Field, Al. G. (Alfred Griffith)
Circus performers -- United States -- Biography; Field, Al. G. (Alfred Griffith), 1848-1921; Wit and humor
Alfred read and re-read the paper which was in Palmer's handwriting. The
legal phraseology was somewhat confusing, but his deductions, were that
Jake was to receive thirty dollars a week for the use of the team and
his and Bedford Tom's services; that Jake was to handle the money; that
he, Jacob Wilson, was to retain six hundred dollars from the profits and
that, when the said six hundred dollars had been paid, the terms of the
contract had been complied with. Such was Alfred's understanding of the
contract.
He became convinced that Palmer had in some way defrauded, or intended
to defraud Jake. The fact that Palmer had repeatedly asserted that he
could get rid of Jake--he so informed Alfred when urging the son to
influence the father to take an interest in the panorama--caused Alfred
to feel sure that Jake was being tricked.
Respecting Mrs. Palmer's request and owing to Palmer's condition, Alfred
decided to keep the matter quiet for the present. Ending the interview
with Jake, he returned the paper to the German with the advice that,
when Palmer got off his spree, to take the matter up, have the contract
examined by a lawyer.
Although Jake was quiet and undemonstrative, he was no easy man to
control when aroused. His limited experience in business, his
unsophisticated nature naturally made him suspicious and there was not
an hour while he was awake that he did not seek Alfred to talk over the
possibilities of Palmer absolutely dropping him without returning any of
his money.
The night following that of the scene between Jake and Palmer, after a
day that saw Palmer in front of the bar of the tavern at least twenty
times, the second exhibition of the panorama began. It was the first
town wherein the exhibition failed to attract a larger audience the
second night than that which witnessed the first exhibition. The facts
were Palmer's condition was apparent to all with whom he came in
contact. The talk went over the town that one of the preachers with the
show was on a tear and the other one couldn't hold him down. The church
people held consultations and it was determined to cancel the third
night.
The second exhibition was even more ragged and uneven than the first
night. The lift, or platform, did not give way and carry the painted
pictures towards the lower regions; "Faithful" made the ascension as
scheduled; and the climaxes and tableaux were all more beautifully
presented than on the opening night. But the eloquent speeches were
delivered by Palmer in a thick-tongued voice; his pronunciation was so
imperfect that many of the most beautiful speeches were lost upon the
audience. Palmer did not complete his lecture.
All were nervous, all were laboring under great strain. The members of
the little party exerted themselves; not one made a mistake, not one
forgot a line.
Public-domain text, read in full here on John Shaqi.
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