Watch Yourself Go ByField, Al. G. (Alfred Griffith)
General
Watch Yourself Go By
Field, Al. G. (Alfred Griffith)
Circus performers -- United States -- Biography; Field, Al. G. (Alfred Griffith), 1848-1921; Wit and humor
First, Mlle. Carlotta De Berg would ascend a slender wire from the
ground to the apex of the grand pavilion. After this thrilling free
exhibition the Grand Annex containing one thousand animate and inanimate
wonders would throw open its doors. As this was a new name for the
side-show, Cousin Charley and Alfred began to get their money ready.
(Alfred carried his own money this show day).
But when the front of the tent was reached and the same old gaudily
painted pictures swayed in the breeze, both boys involuntarily halted as
they realized the Grand Annex was that deadfall known as the side show.
Cousin Charley swore he "seen the same feller standing in the door of
the tent that swindled him and so many others at the last show." Cousin
Charley said: "He dodged back when he seen me."
In the verdancy of his suckerdom, Charley imagined the fakir who had
done him had preserved as keen a recollection of the transaction as
himself. He learned afterwards that there is a sucker born every minute
and the crop of fakirs is nearly as great.
A tall, black-haired man, with rather a heavy face, black velvet vest,
stood at the door. A long gold watch chain was around his neck and
running across the velvet vest it made the chain appear the most
conspicuous thing about the man. Of course he wore other articles of
clothing but the above description stands out in Alfred's mind to the
exclusion of his other apparel unless it be the flat-top hat and the
white bow tie. The hat and tie gave the wearer a sort of clerical
appearance. He had the appearance of a respectable gambler, such as were
on river steamers in those days.
And this was Tony Bailles, the actor-athlete of Alfred's dreams and
talks. Alfred was simply bewildered. His hero stood aloft pacing to and
fro on an elevated platform, describing the wonders of the great moral
exhibition especially for ladies and children.
Alfred argued to Charley that this was Tony's home and his oratory would
appeal more strongly to the people than a stranger's and he was only of
the side show for the day. He disliked to have the hero of his dreams
discredited so prematurely and he still hoped to see his idol in
spangled tights in the big show performing all kinds of wonderful feats.
But the big show was an animal show, pure and simple, not an actor, not
a clown, not a rider, not a horse, not even a ring. Two ponies and a
little cart introduced in the show could not dispel the gloom that had
settled over the disappointed gathering in the big tent.
Public-domain text, read in full here on John Shaqi.
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