Watching on the RhineMarkham, Violet R. (Violet Rosa)
History
Watching on the Rhine
Markham, Violet R. (Violet Rosa)
Cologne (Germany) -- Description and travel; Germany -- Description and travel; World War, 1914-1918 -- Germany
The position as I write is obscure. The censorship in the Saar is
very severe. English papers publish little or no news from the area.
A silence on the subject no less profound envelops periodically the
German Press. It is difficult, therefore, to form any judgment as to
the rights and wrongs of the dispute in view of the limited material
available. But the strike itself is a symptom of the ugly spirit
ruling in the Saar district, the dangers of which were obvious when
we were in Saarbrücken. Probably both sides are right in their charges
of mutual intrigue. It is clear that each Government has only one
desire, namely, to exasperate and hinder the other. Germany protests
loudly against the French attempt to change the German character of
the district. France retorts that perfidy and bad faith are the true
hall-marks of the Prussian. All this is inherent in the situation
actually created, and if it causes surprise to the creators of that
situation they must be simple-minded folk. The plan evolved is one that
not only asks for but demands trouble, and the trouble is there.
Practical administration becomes a nightmare under such conditions, and
that this particular nightmare should persist for the fifteen years
contemplated by the Peace Treaty is a prospect sufficiently dismal for
all who have to face the waking realities.
CHAPTER XI
FROM METZ TO VERDUN
There is something grim and forbidding about the name of Metz. The
tragedy of shame and defeat with which it was connected during the
Franco-Prussian War hangs round it like a sombre garment. I for one
associated it always in my thoughts with a dark menacing fortress, the
very stones of which cried aloud the tale of France’s humiliation and
the ruthless might of her conquering foe. Historical events have the
power of lending their own colour to the names of localities where
great dramas have played themselves out. Sometimes the very nature of
a place--I take three at random, Mycenae, Blois, Glencoe--harmonises
completely with the sense of tragedy. No one could associate the
shores of Lake Trasimene with the idea of trippers on the beach, or
the plains of Borodino with swings and roundabouts. Yet to this rule,
if it be a rule, Metz is a complete exception. Instead of a gloomy
fortress it is a delightful French town, ideally situated in the
basin of the Mosel. The Mosel breaks up at this point into several
channels, and Metz disposes of itself in somewhat Venetian fashion
among the various branches. The main portion of the town is situated
on a low crest overlooking the stream. The crest falls away to the
river below, gardens, houses, and terraces clinging to the slopes. To
the west across the plain rises a range of hills. From the vantage
point of the Esplanade--the beautiful public gardens on the terraces
above the Mosel--the view of the surrounding country is very fine. The
fortifications of Metz, being of the latest type, are naturally not in
evidence.
Public-domain text, read in full here on John Shaqi.
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