Historical fiction, Scottish; Scotland -- In literature
The Count of Paris and his lady attended the old man, whose advanced
age, his excellence in the use of the French language, which he spoke
to admiration,--above all, his skill in applying it to poetical and
romantic subjects, which was essential to what was then termed history
and belles lettres,--drew from the noble hearers a degree of applause,
which, as Agelastes had seldom been vain enough to consider as his due,
so, on the part of the Knight of Paris and his lady, had it been but
rarely conferred. They had walked for some time by a path which
sometimes seemed to hide itself among the woods that came down to the
shore of the Propontis, sometimes emerged from concealment, and skirted
the open margin of the strait, while, at every turn, it seemed guided
by the desire to select a choice and contrast of beauty. Variety of
scenes and manners enlivened, from their novelty, the landscape to the
pilgrims. By the sea-shore, nymphs were seen dancing, and shepherds
piping, or beating the tambourine to their steps, as represented in
some groups of ancient statuary. The very faces had a singular
resemblance to the antique. If old, their long robes, their attitudes,
and magnificent heads, presented the ideas which distinguish prophets
and saints; while, on the other hand, the features of the young
recalled the expressive countenances of the heroes of antiquity, and
the charms of those lovely females by whom their deeds were inspired.
But the race of the Greeks was no longer to be seen, even in its native
country, unmixed, or in absolute purity; on the contrary, they saw
groups of persons with features which argued a different descent.
Public-domain text, read in full here on John Shaqi.
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