Historical fiction, Scottish; Scotland -- In literature
Suddenly a light arose in the apartment, lurid, red, and smoky. The
knight had bethought him of a flint and match which he usually carried
about him, and with as little noise as possible had lighted the torch
by the bedside; this he instantly applied to the curtains of the bed,
which, being of thin muslin, were in a moment in flames. The knight
sprung, at the same instant, from his bed. The tiger, for such it was,
terrified at the flame, leaped backwards as far as his chain would
permit, heedless of any thing save this new object of terror. Count
Robert upon this seized on a massive wooden stool, which was the only
offensive weapon on which he could lay his hand, and, marking at those
eyes which now reflected the blaze of fire, and which had recently
seemed so appalling, he discharged against them this fragment of
ponderous oak, with a force which less resembled human strength than
the impetus with which an engine hurls a stone. He had employed his
instant of time so well, and his aim was so true, that the missile went
right to the mark and with incredible force. The skull of the tiger,
which might be, perhaps, somewhat exaggerated if described as being of
the very largest size, was fractured by the blow, and with the
assistance of his dagger, which had fortunately been left with him, the
French Count despatched the monster, and had the satisfaction to see
him grin his last, and roll, in the agony of death, those eyes which
were lately so formidable.
Looking around him, he discovered, by the light of the fire which he
had raised, that the apartment in which he now lay was different from
that in which he had gone to bed overnight; nor could there be a
stronger contrast between the furniture of both, than the flickering
half-burnt remains of the thin muslin curtains, and the strong, bare,
dungeon-looking walls of the room itself, or the very serviceable
wooden stool, of which he had made such good use.
Public-domain text, read in full here on John Shaqi.
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