Historical fiction, Scottish; Scotland -- In literature
The Ourang Outang, ignorant of the nature of this new weapon with which
he was threatened, attempted at one and the same moment, to rise from
the ground, overthrow his antagonist, and wrench the dagger from his
grasp. In the first attempt, he would probably have succeeded; and as
it was, he gained his knees, and seemed likely to prevail in the
struggle, when he became sensible that the knight, drawing his poniard
sharply through his grasp, had cut his paw severely, and seeing him aim
the trenchant weapon at his throat, became probably aware that his
enemy had his life at command. He suffered himself to be borne
backwards without further resistance, with a deep wailing and
melancholy cry, having in it something human, which excited compassion.
He covered his eyes with the unwounded hand, as if he would have hid
from his own sight the death which seemed approaching him.
Count Robert, notwithstanding his military frenzy, was, in ordinary
matters, a calm-tempered and mild man, and particularly benevolent to
the lower classes of creation. The thought rushed through his mind,
"Why take from this unfortunate monster the breath which is in its
nostrils, after which it cannot know another existence? And then, may
it not be some prince or knight changed to this grotesque shape, that
it may help to guard these vaults, and the wonderful adventures that
attach to them? Should I not, then, be guilty of a crime by slaying
him, when he has rendered himself, rescue or no rescue, which he has
done as completely as his transformed figure permits; and if he be
actually a bestial creature, may he not have some touch of gratitude? I
have heard the minstrels sing the lay of Androcles and the Lion. I will
be on my guard with him."'
So saying, he rose from above the man of the woods, and permitted him.
also to arise. The creature seemed sensible of the clemency, for he
muttered in a low and supplicating tone, which seemed at once to crave
for mercy, and to return thanks for what he had already experienced. He
wept too, as he saw the blood dropping from his wound, and with an
anxious countenance, which had more of the human now that it was
composed into an expression of pain and melancholy, seemed to await in
terror the doom of a being more powerful than himself.
Public-domain text, read in full here on John Shaqi.
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