Historical fiction, Scottish; Scotland -- In literature
The obsequious Diogenes put his hand to his sabre and to his head, as
if to signify the usual promise of fidelity or death, by which those in
his condition generally expressed their answer to their master's
commands. Diogenes then lighted a small lantern, and pulling out a key,
opened an inner door of wood, and prepared to step forward.
"Hold, friend Diogenes," said the Caesar; "thou wantest not my lantern,
to discern an honest man, whom, if thou didst seek, I must needs say
thou hast come to the wrong place to find one. Nail thou up these
creeping shrubs before the entrance of the place, and abide thou there
as already directed, till our return, to parry the curiosity of any who
may be attracted by the sight of the private passage."
The black slave drew back as he gave the lamp to the Caesar, and
Agelastes followed the light through a long, but narrow, arched
passage, well supplied with air from space to space, and not neglected
in the inside to the degree which its exterior would have implied.
"I will not enter with you into the Gardens," said Agelastes, "or to
the bower of Cytherea, where I am too old to be a worshipper. Thou
thyself, I think, Imperial Caesar, art well aware of the road, having
travelled it divers times! and, if I mistake not, for the fairest
reasons."
"The more thanks," said the Caesar, "are due to mine excellent friend
Agelastes, who forgets his own age to accommodate the youth of his
friends."
CHAPTER THE EIGHTEENTH.
We must now return to the dungeon of the Blacquernal, where
circumstances had formed at least a temporary union between the stout
Varangian and Count Robert of Paris, who had a stronger resemblance to
each other in their dispositions than probably either of them would
have been willing to admit. The virtues of the Varangian were all of
that natural and unrefined kind which Nature herself dictates to a
gallant man, to whom a total want of fear, and the most prompt alacrity
to meet danger, had been attributes of a life-long standing. The Count,
on the other hand, had all that bravery, generosity, and love of
adventure, which was possessed by the rude soldier, with the virtues,
partly real, partly fantastic, which those of his rank and country
acquired from the spirit of chivalry. The one might be compared to the
diamond as it came from the mine, before it had yet received the
advantages of cutting and setting; the other was the ornamented gem,
which, cut into facets and richly set, had lost perhaps a little of its
original substance, yet still, at the same time, to the eye of an
inspector, had something more showy and splendid than when it was,
according to the phrase of lapidaries, _en brut_. In the one case, the
value was more artificial; in the other, it was the more natural and
real of the two. Chance, therefore, had made a temporary alliance
between two men, the foundation of whose characters bore such strong
resemblance to each other, that they were only separated by a course of
Public-domain text, read in full here on John Shaqi.
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