Historical fiction, Scottish; Scotland -- In literature
Hereward was thunderstruck at this apparition. The dress was neither
Grecian, Italian, nor of the costume of the Franks;--it was
_Saxon!_--connected by a thousand tender remembrances with Hereward's
childhood and youth. The circumstance was most extraordinary. Saxon
women, indeed, there were in Constantinople, who had united their
fortunes with those of the Varangians; and those often chose to wear
their national dress in the city, because the character and conduct of
their husbands secured them a degree of respect, which they might not
have met with either as Grecian or as stranger females of a similar
rank. But almost all these were personally known to Hereward. It was no
time, however, for reverie--he was himself in danger---the situation of
the young female might be no safe one. In every case, it was judicious
to quit the more public part of the gardens; he therefore lost not a
moment in conveying the fainting Saxon to a retreat he fortunately was
acquainted with. A covered path, obscured by vegetation, led through a
species of labyrinth to an artificial cave, at the bottom of which,
half-paved with shells, moss, and spar, lay the gigantic and
half-recumbent statue of a river deity, with its usual attributes--that
is, its front crowned with water-lilies and sedges, and its ample hand
half-resting upon an empty urn. The attitude of the whole figure
corresponded with the motto,--"I SLEEP--AWAKE ME NOT."
"Accursed relic of paganism," said Hereward, who was, in proportion to
his light, a zealous Christian--"brutish stock or stone that thou art!
I will wake thee with a vengeance." So saying, he struck the head of
the slumbering deity with his battle-axe, and deranged the play of the
fountain so much that the water began to pour into the basin.
"Thou art a good block, nevertheless," said the Varangian, "to send
succour so needful to the aid of my poor countrywoman. Thou shalt give
her also, with thy leave, a portion of thy couch." So saying he
arranged his fair burden, who was as yet insensible, upon the pedestal
where the figure of the River God reclined. In doing this, his
attention was recalled to her face, and again and again he was thrilled
with an emotion of hope, but so excessively like fear, that it could
only be compared to the flickering of a torch, uncertain whether it is
to light up or be instantly extinguished. With a sort of mechanical
attention, he continued to make such efforts as he could to recall the
intellect of the beautiful creature before him. His feelings were those
of the astronomical sage, to whom the rise of the moon slowly restores
the contemplation of that heaven, which is at once, as a Christian, his
hope of felicity, and, as a philosopher, the source of his knowledge.
The blood returned to her cheek, and reanimation, and even
recollection, took place in her earlier than in the astonished
Varangian.
Public-domain text, read in full here on John Shaqi.
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