Historical fiction, Scottish; Scotland -- In literature
"What can you require of me, father?" said the Princess. "Can you
expect that I am to dip my own hands in the blood of this unfortunate
man; or wilt thou seek a revenge yet more bloody than that which was
exacted by the deities of antiquity, upon those criminals who offended
against their divine power?"
"Think not so, my daughter!" said the Emperor; "but rather believe that
thou hast the last opportunity afforded by my filial affection, of
rescuing, perhaps from death, that silly fool thy husband, who has so
richly deserved it."
"My father," said the Princess, "God knows it is not at your risk that
I would wish to purchase the life of Nicephorus; but he has been the
father of my children, though they are now no more, and women cannot
forget that such a tie has existed, even though it has been broken by
fate. Permit me only to hope that the unfortunate culprit shall have an
opportunity of retrieving his errors; nor shall it, believe me, be my
fault, if he resumes those practices, treasonable at once, and
unnatural, by which his life is at present endangered."
"Follow me, then, daughter," said the Emperor, "and know, that to thee
alone I am about to intrust a secret, upon which the safety of my life
and crown, as well as the pardon of my son-in-law's life, will be found
eventually to depend."
He then assumed in haste the garment of a slave of the Seraglio, and
commanded his daughter to arrange her dress in a more succinct form,
and to take in her hand a lighted lamp.
"Whither are we going, my father?" said Anna Comnena.
"It matters not," replied her father, "since my destiny calls me, and
since thine ordains thee to be my torch-bearer. Believe it, and record
it, if thou darest, in thy book, that Alexius Comnenus does not,
without alarm, descend into those awful dungeons--which his
predecessors built for men, even when his intentions are innocent, and
free from harm.--Be silent, and should we meet any inhabitant of those
inferior regions, speak not a word nor make any observation upon his
appearance."
Passing through the intricate apartments of the palace, they now came
to that large hall through which Hereward had passed on the first night
of his introduction to the place of Anna's recitation called the Temple
of the Muses. It was constructed, as we have said, of black marble,
dimly illuminated. At the upper end of the apartment was a small altar,
on which was laid some incense, while over the smoke was suspended, as
if projecting from the wall, two imitations of human hands and arms,
which were but imperfectly seen.
Public-domain text, read in full here on John Shaqi.
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