Historical fiction; Jacobite Rebellion, 1745-1746 -- Fiction; Scotland -- History -- 18th century -- Fiction
Advancing a few yards, and passing under the bridge which he had viewed
with so much terror, the path ascended rapidly from the edge of the
brook, and the glen widened into a sylvan amphitheatre, waving with
birch, young oaks, and hazels, with here and there a scattered yew-tree.
The rocks now receded, but still showed their grey and shaggy crests
rising among the copse-wood. Still higher, rose eminences and peaks,
some bare, some clothed with wood, some round and purple with heath, and
others splintered into rocks and crags. At a short turning, the path,
which had for some furlongs lost sight of the brook, suddenly placed
Waverley in front of a romantic waterfall. It was not so remarkable
either for great height or quantity of water, as for the beautiful
accompaniments which made the spot interesting. After a broken cataract
of about twenty feet, the stream was received in a large natural basin
filled to the brim with water, which, where the bubbles of the fall
subsided, was so exquisitely clear, that, although it was of great
depth, the eye could discern each pebble at the bottom. Eddying round
this reservoir, the brook found its way over a broken part of the ledge,
and formed a second fall, which seemed to seek the very abyss; then,
wheeling out beneath from among the smooth dark rocks, which it had
polished for ages, it wandered murmuring down the glen, forming the
stream up which Waverley had just ascended. [See Note 20.] The borders
of this romantic reservoir corresponded in beauty; but it was beauty
of a stern and commanding cast, as if in the act of expanding into
grandeur. Mossy banks of turf were broken and interrupted by huge
fragments of rock, and decorated with trees and shrubs, some of which
had been planted under the direction of Flora, but so cautiously, that
they added to the grace, without diminishing the romantic wildness of
the scene.
Here, like one of those lovely forms which decorate the landscapes
of Poussin, Waverley found Flora, gazing on the waterfall. Two paces
further back stood Cathleen, holding a small Scottish harp, the use of
which had been taught to Flora by Rory Dall, one of the last harpers of
the Western Highlands. The sun, now stooping in the west, gave a rich
and varied tinge to all the objects which surrounded Waverley, and
seemed to add more than human brilliancy to the full expressive darkness
of Flora's eye, exalted the richness and purity of her complexion, and
enhanced the dignity and grace of her beautiful form. Edward thought
he had never, even in his wildest dreams, imagined a figure of such
exquisite and interesting loveliness. The wild beauty of the retreat,
bursting upon him as if by magic, augmented the mingled feeling of
delight and awe with which he approached her, like a fair enchantress of
Boiardo or Ariosto, by whose nod the scenery around seemed to have been
created, an Eden in the wilderness.
Public-domain text, read in full here on John Shaqi.
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