Historical fiction; Jacobite Rebellion, 1745-1746 -- Fiction; Scotland -- History -- 18th century -- Fiction
'You are, sir, I presume, a Presbyterian clergyman?'--Mr. Morton
bowed.--'Were I to be guided by the prepossessions of education, I might
distrust your friendly professions in my case; but I have observed
that similar prejudices are nourished in this country against your
professional brethren of the Episcopal persuasion, and I am willing to
believe them equally unfounded in both cases.'
'Evil to him that thinks otherwise,' said Mr. Morton; 'or who holds
church government and ceremonies as the exclusive gage of Christian
faith or moral virtue.'
'But,' continued Waverley, 'I cannot perceive why I should trouble you
with a detail of particulars, out of which, after revolving them as
carefully as possible in my recollection, I find myself unable to
explain much of what is charged against me. I know, indeed, that I am
innocent, but I hardly see how I can hope to prove myself so.'
'It is for that very reason, Mr. Waverley,' said the clergyman, 'that I
venture to solicit your confidence. My knowledge of individuals in
this country is pretty general, and can upon occasion be extended.
Your situation will, I fear, preclude you taking those active steps for
recovering intelligence, or tracing imposture, which I would willingly
undertake in your behalf; and if you are not benefited by my exertions,
at least they cannot be prejudicial to you.'
Waverley, after a few minutes' reflection, was convinced that his
reposing confidence in Mr. Morton, so far as he himself was concerned,
could hurt neither Mr. Bradwardine nor Fergus Mac-Ivor, both of whom had
openly assumed arms against the Government, and that it might possibly,
if the professions of his new friend corresponded in sincerity with
the earnestness of his expression, be of some service to himself. He
therefore ran briefly over most of the events with which the reader
is already acquainted, suppressing his attachment to Flora, and indeed
neither mentioning her nor Rose Bradwardine in the course of his
narrative.
Public-domain text, read in full here on John Shaqi.
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