of his mother’s eye, that the purpose of his desperate defence was attained. Ah! I remember,” she continued, “I remember well to have seen one that knew and loved him. Miss Lucy Saint Aubin lived and died a maid for his sake, though one of the most beautiful and wealthy matches in this country; all the world ran after her, but she wore widow’s mourning all her life for poor William, for they were betrothed though not married, and died in—I cannot think of the date; but I remember, in the November of that very year, when she found herself sinking, she desired to be brought to Waverley-Honour once more, and visited all the places where she had been with my grand-uncle, and caused the carpets to be raised that she might trace the impression of his blood, and if tears could have washed it out, it had not been there now; for there was not a dry eye in the house. You would have thought, Edward, that the very trees mourned for her, for their leaves dropt around her without a gust of wind, and, indeed, she looked like one that would never see them green again.” From such legends our hero would steal away to indulge the fancies they excited. In the corner of the large and sombre library, with no other light than was afforded by the decaying brands on its ponderous and ample hearth, he would exercise for hours that internal sorcery by which past or imaginary events are presented in action, as it were, to the eye of the muser. Then arose in long and fair array the splendour of the bridal feast at Waverley-Castle; the tall and emaciated form of its real lord, as he stood in his pilgrim’s weeds, an unnoticed spectator of the festivities of his supposed heir and intended bride; the electrical shock occasioned by the discovery; the springing of the vassals to arms; the astonishment of the bridegroom; the terror and confusion of the bride; the agony with which Wilibert observed that her heart as well as consent was in these nuptials; the air of dignity, yet of deep feeling, with which he flung down the half-drawn sword, and turned away for ever from the house of his ancestors. Then would he change the scene, and fancy would at his wish represent Aunt Rachel’s tragedy. He saw the Lady Waverley seated in her bower, her ear strained to every sound, her heart throbbing with double agony, now listening to the decaying echo of the hoofs of the king’s horse, and when that had died away, hearing in every breeze that shook the trees of the park, the noise of the remote skirmish. A distant sound is heard like the rushing of a swoln stream; it comes nearer, and Edward can plainly distinguish the galloping of horses, the cries and shouts of men, with straggling pistol-shots between, rolling forwards to the Hall. The lady starts up—a terrified menial rushes in—but why pursue such a description?