The drawing-room of Flora Mac-Ivor was furnished in the plainest and most simple manner; for at Glennaquoich every other sort of expenditure was retrenched as much as possible, for the purpose of maintaining, in its full dignity, the hospitality of the Chieftain, and retaining and multiplying the number of his dependants and adherents. But there was no appearance of this parsimony in the dress of the lady herself, which was in texture elegant, and even rich, and arranged in a manner which partook partly of the Parisian fashion and partly of the more simple dress of the Highlands, blended together with great taste. Her hair was not disfigured by the art of the friseur, but fell in jetty ringlets on her neck, confined only by a circlet, richly set with diamonds. This peculiarity she adopted in compliance with the Highland prejudices, which could not endure that a woman's head should be covered before wedlock. Flora Mac-Ivor bore a most striking resemblance to her brother Fergus; so much so that they might have played Viola and Sebastian with the same exquisite effect produced by the appearance of Mrs. Henry Siddons and her brother, Mr. William Murray, in these characters. They had the same antique and regular correctness of profile; the same dark eyes, eye-lashes, and eye-brows; the same clearness of complexion, excepting that Fergus's was embrowned by exercise and Flora's possessed the utmost feminine delicacy. But the haughty and somewhat stern regularity of Fergus's features was beautifully softened in those of Flora. Their voices were also similar in tone, though differing in the key. That of Fergus, especially while issuing orders to his followers during their military exercise, reminded Edward of a favourite passage in the description of Emetrius: --whose voice was heard around, Loud as a trumpet with a silver sound.