Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
Consider now for one moment the physical state of the air in a
concert-room in which a large orchestra is performing. The air is
traversed by a chaos of waves of various wave-lengths. The deep notes
of the violincello, organ, and trumpets are producing waves 10 to 20
feet in wave-length, which may be best described as billows in the air.
The violin-strings and middle notes of the piano, harp, or flute are
yielding air waves from 6 or 8 feet to a few inches long, whilst the
higher notes of violins and flutes are air ripples some 3 or 4 inches
in length.
If we could see the particles of the air in the concert-room, and
fasten our attention upon any one of them, we should see it executing
a most complicated motion under the combined action of these
air-wave-producing instruments. We should be fascinated by the amazing
dance of molecules to and fro and from side to side, as the medley of
waves of compression or rarefaction embraced them and drove them hither
and thither in their resistless grasp.
The tympana of our ears are therefore undergoing motions of a like
complicated kind, and this complex movement is transmitted through the
chain of bones in the middle ear to the inner ear, or true organ of
sensation. But there, by some wondrous mechanism not at all yet fully
understood, an analysis takes place of these entangled motions.
The well-trained ear separates between the effect due to each kind of
musical instrument, and even detects a want of tuning in any one of
them. It resolves each sound into its harmonics, appreciates their
relative intensity, is satisfied or dissatisfied with the admixture.
In the inner chamber of the ear physical movements are in some wholly
inscrutable manner translated into sensations of sound, and the
confused aggregation of waves and ripples in the air, beating against
the tympanic membrane there, takes effect in producing impulses which
travel up the auditory nerve and expend their energy finally in the
creation of sensations of melody and tune, which arouse emotions,
revive memories, and stir sometimes the deepest feelings of our minds.
CHAPTER V.
ELECTRIC OSCILLATIONS AND ELECTRIC WAVES.
Public-domain text, read in full here on John Shaqi.
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