Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
At the end of the last chapter it was explained that these Hertz
radiations are created in the æther by the suddenly starting, stopping,
or reversing the motion of crowds of electrons, which are, as it were,
instantly released from a state of pressure or tension, and set moving
inside a straight insulated conductor, which forms an open electric
circuit. The radiations we call light and dark heat are probably,
therefore, started in a similar manner by vibrations of the electrons
which form parts of, or which build up, atoms. There are many physical
phenomena which seem to show that the electrons which we can detach
from atoms in a high vacuum tube are capable of vibrating freely in
definite periods when in connection with their atom. If the atoms are
able to move freely, and if each is practically independent, as is the
case in a gas, and if they are then caused to radiate by any means,
the radiation emitted by the vibration of these electrons consists
of certain definite wave-lengths. Hence, when we form the spectrum
of an incandescent gas, we find it to consist of several detached
bright lines, each corresponding to one particular wave-length, and
we do not obtain a uniformly graduated band of coloured light. If an
atom is struck by colliding with another, and then left to itself, it
appears as if the electrons which compose it and form part of it are
set in vibration, and each executes its oscillation in some definite
period of time. An atom has, therefore, been compared to a “collection
of small tuning-forks,” which, if rudely struck, would result in
the emission of a set of air-wave trains, each one corresponding in
wave-length to one particular tuning-fork which emitted it. Hence, if
we could administer a blow to such a congeries of tuning-forks, and
then analyze the compound sound, we should obtain a sound spectrum
consisting of separated tones—in other words, a bright line spectrum
of the complex sound. Supposing, however, that we have a mass of atoms
much more closely in contact, as in the case of a solid body, the
continual collisions between the atoms and the closer contact between
them cause the vibrations of the electrons to be “forced,” and not
“free.” Hence the electrons are compelled to execute all varieties of
irregular motion, and these predominate over their regular free natural
vibrations. Accordingly, the waves emitted are of a large variety of
wave-length, and when the radiation is analyzed by a prism, we obtain a
continuous spectrum, or band of many-coloured light, as the result of
the separation of the rays of different wave-lengths present in it.
It is this fact which renders our present method of creating artificial
light so excessively uneconomical.
Public-domain text, read in full here on John Shaqi.
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