Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
United States yachts entered for the America Cup race, 1851–1899.
(FIG. 42.)]
[Illustration:
GENESTA, 1885.
VALKYRIE III., 1895.
THISTLE, 1887.
SHAMROCK, 1899.
VALKYRIE II., 1893.
SHAMROCK II., 1901.
FIG. 42.—British yachts entered for the America Cup race, 1885–1901.]
In a very interesting article in _Harmsworth’s Magazine_, in 1901, Mr.
E. Goodwin has traced the gradual evolution of the modern yacht, such
as _Shamrock II._ or the _Columbia_, from the _America_.
No doubt the methods of “measurement” in force at the time, or the
dimensions which determine whether the boat can enter for the Cup race
or not, have had some influence in settling the shape. The reader,
however, will see, on comparing the outlines of some of the competing
yachts as shown in Fig. 42,[20] that there has been a gradual tendency
to reduce the underwater surface as much as possible, and also to
remove the wave-making tendency by overhanging the bows. The only
rule now in force restricting the yacht size for the Cup race is
that it must not be more than 90 feet in length when measured on the
water-line. In order that the yacht may have stability, and be able to
carry a large sail-surface, it must have a certain depth of immersed
hull. This is essential also to prevent the boat from making leeway
when sailing with the wind abeam. But consistently with this object,
the two great aims of the yacht-builder are, _first_, to reduce as
much as possible the skin friction by making the yacht-surface smooth
and highly polished. Thus modern racing-yachts are not always built of
wood, but very often of some metal, such as bronze, steel, or aluminium
alloys, which admit of a very high polish. This hull-surface is
burnished as much as possible before the race, to reduce to a minimum
the skin friction. Then in the _second_ place, the designer aims at
fashioning the form of the bow of the yacht so as to reduce as much as
possible its wave-making qualities. A fine type of modern yacht glides
through the water with hardly any perceptible bow wave at moderate
speeds.
Thus the following extract from the _Chicago Recorder_ of September 4,
1901, respecting Sir Thomas Lipton’s yacht, _Shamrock II._, during her
trials for the Cup race, shows how marked a feature this is in the case
of a yacht of the best modern type:—
“With her owner, designer, builder, manager, and sailmaker on board,
the yacht _Shamrock II._ sailed her seventh trial race to-day off
Sandy Hook. Although at times there was not more than a three-knot
air, at no time did the yacht act sluggishly.
“She slipped through the water at an amazingly good rate under the
influence of her great mainsail and light sails. The water was
smooth, but even when pressed to a speed of 9 knots _the yacht made a
very small wave at the bow_, and left an absolutely clean wake.”
Public-domain text, read in full here on John Shaqi.
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