Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
If we then administer a little pat to the first ball, you will see a
wave-motion run along the line of balls. Each ball in turn moves to and
fro a little way, and its movement is handed on to its neighbours. We
have here an example of a longitudinal wave-motion which resembles that
of the air when it is traversed by a sound wave.
Another model which is of a more elaborate character shows us the
sort of motion made in a tube when a sound wave due to a continuous
musical sound is passing along it. It consists of a glass disc which is
blackened, and has the paint removed along certain excentric circular
lines. This disc is made to revolve in front of a wide slit in a piece
of metal. By means of an optical lantern we project on to the screen
an image of the slit, which you see is crossed by certain bright bars
of light, crowded together at some places and more spaced apart at
others. When the disc revolves, these bars of light each move to and
fro successively, and the result is that the crowded place moves along,
or is displaced.
A wave of compression is propagated along the slit, and the localities
where the bars of light are compressed or expanded continually change
their place. If we imagine the air in a tube to be divided into slices,
represented by these bars of light, the motion of the model exactly
represents the motion of the air in the tube when it is traversed by a
series of sound waves.
The distance from one place of greatest compression to the next is
called the wave-length of the sound wave. Hence, although a sound such
as that of an explosion may consist in the propagation of a single
layer of compression, the production of a continuous musical note
involves the transference of a series of equidistant compressional
zones, or waves.
These models will have assisted you, I trust, to form a clear idea of
the nature of a sound wave in air. It is something very different, in
fact, from a wave on the surface of water, but it is characterized
by the same general qualities of wave-motion. It is a state of
longitudinal periodic motion in a row of particles, which is handed on
from one to another. Each particle of air oscillates in the line of
propagation of the wave, and moves a little way backwards and forwards
on either side of its undisturbed position.
It will be seen, therefore, that a solitary sound wave is a state
of air-compression which travels along in the otherwise stationary
air. The air is squeezed more tightly together in a certain region,
and successive layers of air take up this condition. In the case of
water-surface waves the wave is a region of elevation at which the
water is raised above the general or average level, and this elevated
region is transferred from place to place on otherwise stationary
water. In the case of an air-wave train we have similar regions of
compression following each other at distances, it may be, of a fraction
of an inch or of several feet.
Public-domain text, read in full here on John Shaqi.
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