Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
By dipping the wide end of the funnel tube into some of the soap
solution placed in a saucer, it is easy to cover the end with a flat
soap film which will last a considerable time. This tube has then to
be fixed in front of an electric arc or lime-light lantern, so that
a powerful parallel beam of light can be directed on to the film by
a small flat mirror or looking-glass. A lens is also placed so as
to focus an image of the film on to a screen. In finding the right
position for the lens, it is a great help to place a piece of white
card with some bold black letters upon it over the brass funnel in the
place which will be occupied with the soapy film, and to focus this so
as to obtain a sharp image of the letters on the screen. When the soap
film is then substituted for the card, we should have on the screen a
reflection of the film surface, which at first will appear as a patch
of white light upon the screen. If we allow the film to stand for a
few seconds, it begins to get thinner at the upper part than at the
bottom, and the image on the screen will exhibit gorgeous bands of red
and green, called interference colours, which are due, like the colours
on a soap-bubble, to the interference of the rays of light reflected
from the inner and outer surfaces of the film. If the experiment is
skilfully performed, the appearance on the screen will then be very
beautiful. We shall have a patch of light which exhibits bands of
colours, becoming more intense the longer the film stands, and towards
the end having somewhat the appearance of an unusually lovely sunset.
Just before this condition of the film is reached, if we sing gently
into the mouthpiece of the indiarubber tube, the soap film will be
thrown into vibration. The image on the screen will exhibit a set of
regularly arranged concentric stationary ripples, which will alter in
appearance with every change in the note sung. The experiment requires
some care and practice to perform it properly, and should not be
attempted in public without many rehearsals; but when well shown it
is a most effective and interesting experiment. We see, therefore,
that so delicate an object as a stretched soap-film can take up the
vibrations of the air and be itself thrown into vibration. The reason
is that the soap-film, as already explained in the first lecture,
resists stretching, and behaves like a sheet of elastic indiarubber.
Hence, as each air wave falls upon it, the film is alternately pushed
out and pulled in, but being held at the edges, it can only accommodate
itself by stretching. We have, therefore, set up in the film a set of
stationary waves similar to those set up on a rope fixed at one end
when the loose end is regularly jerked up and down by the hand. The
experiment shows us clearly the way in which an elastic disc is set
in vibration when compressional waves fall upon it, and in the next
lecture we shall proceed to discuss the vibrations of this kind which
give rise to musical effects.
Public-domain text, read in full here on John Shaqi.
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