Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great BritainFleming, J. A. (John Ambrose), Sir
Science
Waves and ripples in water, air, and æther : $b Being a course of Christmas lectures delivered at the Royal Institution of Great Britain
Fleming, J. A. (John Ambrose), Sir
Electric waves; Sound; Waves
All these cases, in which one set of small impulses at proper
intervals of time create a large vibration in the body on which
they act, are said to be instances of _resonance_. A more perfect
illustration of acoustic resonance may be brought before you now.
Before me, on the table, is a tall glass cylindrical jar, and I have
in my hand a tuning-fork, the prongs of which make 256 vibrations
per second when struck (see Fig. 55). If the fork is started in
action, you at a distance will hear but little sound. The prongs of
the fork move through the air, but they do not set it in very great
oscillatory movement. Let us calculate, however, the wave-length
of the waves given out by the fork. From the fundamental formula,
_wave-velocity_ = _wave-length_ × _frequency_; and knowing that the
velocity of sound at the present temperature of the air is about
1126 feet per second, we see at once that the length of the air wave
produced by this fork must be nearly 4·4 feet, because 4·4 × 256 =
1126·4. Hence the quarter wave-length is nearly 1·1 foot, or, say, 1
foot 1 inch.
I hold the fork over this tall jar, and pour water into the jar until
the space between the water-surface and the top of the jar is a little
over 1 foot, and at that moment the sound of the fork becomes much
louder. The column of air in the jar is 1·1 foot in length and this
resounds to the fork. You will have no difficulty in seeing the reason
for this in the light of previous explanations. The air column has a
certain natural rate of vibration, which is such that its fundamental
note has a wave-length four times the length of the column of air.
In the case of the rope fixed at one end and jerked up and down at
the other so as to make stationary vibrations, the length of the rope
is one quarter of the wave-length of its stationary wave. This is
easily seen if we remember that the fixed end must be a _node_, and
the end moved up and down must be an _anti-node_, or ventral segment,
and the distance between a node and an anti-node is one quarter of a
wave-length. Accordingly the vibrating column of air in the jar also
has a fundamental mode of vibration, such that the length of the column
is one quarter of a wave-length. Hence the vibrating prongs of the
256-period tuning-fork, when held over the 1·1 foot long column of air,
are able to set the air in great vibratory movement, for the impulses
from the prongs come at exactly the right time. Accordingly, the loud
sound you hear when the fork is held over the jar proceeds, not so
much from the fork as from the column of air in the jar. The prongs of
the fork give little blows to the column of air, and these being at
intervals equal to the natural time-period of vibration of the air in
the jar, the latter is soon set in violent vibration.
Public-domain text, read in full here on John Shaqi.
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