She had indeed resigned the cares and anxieties of Management, but this
also meant that she was obliged to put up with whatever arrangements
commended themselves to Barry Sterne at the theatre; and though he and
his wife had always been good friends to her she was often unable to
approve of his way of looking at things.
They had nearly come to a serious disagreement when he engaged Dudley
the comedian assuring her that the man had quite lived down his past.
And though time had more or less reconciled her to this belief, she was
never quite without the instinct which had made Myra Kay shrink from the
man in Scotland. She grew to feel a little more confidence in him when
one day he happened to mention Ralph Denmead in her presence. It was not
so much what he said, but rather his tone and expression when referring
to Ralph.
“So young Denmead is to play Orlando at Stratford next month, I see,” he
observed one morning before rehearsal. “That boy will do well if I’m not
mistaken. There was a touch of genius about him even when I knew him as
a half-starved novice in Scotland.”
“Did you know him then?” said Christine for the first time volunteering
an unnecessary remark to Dudley. “He used to tell me when I was acting
with him in Edinburgh what straits he had been reduced to during the
spring.”
“Yes, we had a rough time, but he was always a plucky, goodnatured
fellow ready to take the fortune of war. I’m glad he has fallen on his
feet. Macneillie has been the making of him.”
“They say Macneillie’s health has broken down,” said another actor
strolling up. “He has gone to Scotland to recruit.”
“He has been roaming about the world too long,” remarked a third. “I
wonder he doesn’t give up his travelling company and settle in town. It
would be better for him in every way.”
“Well he’s doing very good work,” said Dudley. “As a matter of fact
his company and Lorimer’s are the only training schools we have for the
stage. How can the rising generation learn otherwise in these days of
long runs?”
The arrival of Barry Sterne checked the conversation at this moment and
Christine turned away sick at heart, to get through her work as well as
she could to the tune of those haunting words--“His health has broken
down!”
Was it true? Or had some lying paragraph in a newspaper set afloat a
false report?
Her whole nature seemed to rise up in rebellion against the miserable
ignorance of his movements to which she was doomed. It tortured her to
think that dozens of people who were wholly indifferent to him knew all,
while she was racked with anxiety and fear on his behalf.
She went home feeling wretched beyond expression; even Charlie’s eager
greeting could not bring a smile to her face or ease her pain.
“Auntie,” he exclaimed, “there’s a lady in the drawing-room waiting
to see you. She has been here a long time, and she would wait for you.
Susan says she looks as if she were in great trouble.”
Public-domain text, read in full here on John Shaqi.
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