Please imagine that you stand at the seashore. The waves go
rhythmically up, down, up.... Suddenly when they have risen they
remain in that position, benumbed, torpid! It was just as weird
and unnatural when everything became confused and our regular walk
which is prescribed by the Tables, suddenly came to an end. The
last time such a thing happened was 119 years ago, when according
to our historians a meteorite fell hissing and fuming into the
very midst of the marchers. We were walking yesterday as usual,
that is like warriors on the Assyrian monuments, a thousand heads
and two composite, integrated legs and two swinging integrated
arms. At the end of the avenue where the Accumulating Tower was
formidably resounding, a quadrangle appeared: on the sides, in
front and behind--guards; in the centre three Numbers. Their unifs
were already stripped of the golden State badges; everything was
painfully clear. The enormous dial on the top of the Tower looked
like a face; it bent down from the clouds and spitting down its
seconds, it waited with indifference. It showed six minutes past
thirteen exactly. There was some confusion in the quadrangle. I was
very close and I saw the most minute details. I clearly remember
a thin, long neck and on the temple a confused net of small blue
veins like rivers on the map of a small unfamiliar world, and that
unknown world was apparently still a very young man. He evidently
noticed someone in our ranks; he stopped, rose upon his tip-toes
and stretched his neck. One of the guards snapped his back with
the bluish spark of the electric whip--he squealed in a thin voice
like a puppy. The distinct snaps followed each other at intervals
of approximately two seconds; a snap and a squeal, a snap and a
squeal.... We continued to walk as usual, rhythmically, in our
Assyrian manner. I watched the graceful zigzags of the electric
sparks and thought: "Human society is constantly improving, as it
should. How ugly a tool was the ancient whip and how much beauty
there is--"
Public-domain text, read in full here on John Shaqi.
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