New York (State) -- Social life and customs -- Fiction
The ludicrous sublimity of such an ethical snarl reduced him to inanity.
He stayed to dinner. Charity had not expected him to stop. She had
planned an evening's excavation into her correspondence and had not
changed her street dress. She was surprised and childishly delighted to
have him with her--then childishly unhappy as she observed:
“But you're all togged up. You're going out.”
“No--well--that is--er--I was thinking you would like to see a show.
I've got tickets.”
“But it's late. I'm not dressed.”
“What's the odds? You look all right. There's never anybody but muckers
there Saturday nights. We'll miss it all if you stop to prink.”
“All right,” she cried, and hurried through the dinner.
He was glad at least that he had escaped a solemn evening at home. He
could not keep awake at home.
So they went to the theater; but there was not “nobody there,” as he had
promised.
Zada was there--alone in a box, dressed in her best, and wearing her
East-Lynniest look of pathos.
The coincidence was not occult. After several hours of brave battle with
grief and a lonely dinner Zada had been faced by the appalling prospect
of an evening alone.
She remembered Cheever's purchase of the theater tickets, and she was
startled with an intuition that he would take his wife in her place. Men
are capable of such indecent economies.
Zada was suffocated with rage at the possibility. She always believed
implicitly in the worst things she could think of. If Peter Cheever
dared do such a thing! And of course he would! Well, she would just find
out!
She threw a lonely wineglass at the fern-dish and smashed a decanter.
Then she pushed off the table about a hundred dollars' worth of
chinaware, and kicked her chair over backward. She had been famous for
her back-kick in her public dancing-days.
She howled to her maid and went into her wardrobe with both hands. She
acted like a windmill in a dress-shop. Finally she came upon what she
was looking for--the most ladylike theater-gown that ever combined
magnificence with dazzling respectability.
She made up her face like a lady's--it took some paint to do that.
Meanwhile, her maid was telephoning speculators for a box. Zada arrived
before Cheever and Charity did. She waited a long time, haughtily
indifferent to the admiration she and her gown were achieving. At last
she was punished and rewarded, revenged, and destroyed by the sight of
Cheever coming down the aisle with Charity. They had to pause to let a
fat couple rise, and they paused, facing Zada. Cheever caught her eye
and halted, petrified, long enough for Charity to sit down, look up
at him, follow the line of his gaze, and catch a full blast of Zada's
beauty and of the fierce look she fastened on Cheever. Charity's eyes
ran back on the almost visible clothes-line of that taut gaze and found
Cheever wilting with several kinds of shame.
Public-domain text, read in full here on John Shaqi.
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