That finished him for Kedzie. She could not tolerate professional jealousy. She never could. Her own was merely a defense of her dignity and her rights against the peculiarly impossible people who infested the studio. That was Kedzie's own phrase, for she had not lived with a poet long before she began to experiment with large words. She practised before a mirror any phrases she particularly liked. She had probably heard Ferriday use the expression and she got herself up on it till she was glib. Anybody who can be glib with “peculiarly impossible” is in a fair way to be articulate. All Kedzie needed was a little more certainty on her grammar; and her ear was giving her that. Her contempt for Lorraine Melnotte culminated in a dark suspicion that that was not his real born name. If Anita Adair was Kedzie Thropp what would Lorraine Melnotte have been? It was a pretty problem in algebra. But Kedzie despised a man that would take another name. And such a name--as unworthy of a man as a box of chocolate fudge. So the image of Mr. Melnotte fell out of the niche in her heart and went over into the gallery of her hates. She fought him with every weapon and every foul thrust known to shy little women in dealing with big, blustering men. She loved to call him “Melnit” or “naughty Mel.” He was lost from the start and was soon begging to be released from his contract. The backers were too sure of his vogue, however, to let him go, and it was none of their affair how fiercely Adair and Melnotte indulged in mutual loathing, so long as their screen-love was so wholesomely sweet. With Ferriday Kedzie's relations were more perilous. He had invented her and was patenting her. She dreaded his wisdom and accepted his least theory as gospel--at first. He combined a remote and godlike intellect with a bending and fatherly grace. And now and then, like the other gods of all the mythologies, he came down to earth in an amorous mood. Now Kedzie's surety was her canny realization of the value of tantalism. She was not long left in ignorance of his record for flitting fancy and she felt that he would flit from her as soon as he conquered her. Her duty was plain. She played him well and drove him frantic. It would have been hard to say whether he hated her or loved her more when he found her always just a little beyond. He had begun with the greatest gift in his power. He had promised her world-wide fame, and no other gift could count till he had made that good. And it would take a long, long while of incessant labor to build. Ferriday belittled himself in Kedzie's eyes by his groans of baffled egotism. She could read his plots on his countenance, and thwart him in advance. But this was not always easy for her, and again and again he had only himself to blame for his non-success with Kedzie's heart. With Kedzie's fame he was having a very sudden and phenomenal triumph--if anything could be called phenomenal in a field which itself was phenomenal always.