New York (State) -- Social life and customs -- Fiction
“You're a novelty to him, Anita. He's tired of those _blasees_
creatures.”
“They didn't look very blah-zay to me. They seemed to be up and doing
every minute. But supposing he was crazy about me, if I said to him,
'You can have two kisses for a million dollars apiece?' can you see him
begin to holler: 'Where am I? Please take me home!'”
Ferriday sighed: “Perhaps you're right. It wouldn't do to give a
mercenary look to your interest in him too soon. Let me talk to him.”
“What's your peculiar charm?”
“I'd put it up to him as a business proposition. I'd say, 'The
moving-picture field is the greatest gold-field in the world.' I'd tell
him how many hundred thousand theaters there are in the world, all of
them eager for your pictures and only needing to be told about them. I'd
tell him that for every dollar he put in he'd take out ten, in addition
to furthering the artistic glory of the most beautiful genius on the
dramatic horizon. I'd show him how he couldn't lose.”
“But you just said--”
“Oh, I know, but we can't put on the screen everything we say in
the projection-room. And it is a fact that there is big money in the
movies.”
“There must be,” said Kedzie, “if as much has been sunk in 'em as you
say.”
“Yes, and it's all there for the right man to dig up if he only goes
about it intelligently. Let me talk to him.”
Kedzie thought hard. Then she said: “No! Not yet! You'd only scare him
away. I'll do my best to get him interested in me, and you do your best
to get him interested in the business; and then when the time is just
right we can talk turkey. But not now, Ferri, not yet.”
“You're as wise as you are beautiful,” said Ferriday, again. “I can't
see your beauty, but your wisdom shines in the dark. We'll do great
things together, Anita.”
His arm tightened around her, reminding her that she was still in his
elbow. Before she was quite alive to his purpose his lips touched her
cheek.
“Don't do that!” she snapped. “How dare you!”
He laughed: “I forgot. The price on your kisses has just skyrocketed to
a million apiece. Don't forget my commission.”
She growled pettishly. He spoke more soberly:
“You need me yet, little lady. Don't quench my enthusiasms too roughly
or I might take up some other pretty little girl as my medium of
expression. There are lots and lots of pretties born every minute, but
it takes years to make a director like me.”
And she knew that this was true.
“I was only fooling,” she said. “Don't be mad at me. You can kiss me if
you want to.”
“I don't want to,” he said, as hurt as an overgrown boy or a prima
donna.
The door opened, and a wave of light swept into the room. A voice
followed it.
“Is Miss Adair in there?”
“Yes,” Kedzie answered, in confusion.
“Gent'man to see you.”
It was Jim Dyckman. He followed closely and entered the room just as
Ferriday found the electric button and switched on the light.
Public-domain text, read in full here on John Shaqi.
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