New York (State) -- Social life and customs -- Fiction
“What do you mean by that?”
“Just to warn you. Those social worldlings wouldn't stand for you, Anita
darling. You can make monkeys of us poor men. But those queens will make
a little scared worm out of you and step on you. And they won't stop
smiling for one minute.”
“Is that so?” Kedzie snarled. There it was again.
The telephone rang. Kedzie answered it. The hall-boy timidly announced:
“Mistoo Dyckman is down year askin' kin he see you. Kin he?”
“Send him up, please,” said Kedzie. Then she turned to Ferriday. “He's
here--at this hour! I wonder why.”
“I'd better slope.”
“Do you mind?”
“Not in the least. I'll go up a flight of stairs and take the elevator
after His Majesty has finished with it. Good-by. Get busy!”
He slid out, and Kedzie scurried about her primping. The bell rang.
She sent her maid to the door. Dyckman came in. She let him wait
awhile--then went to him with an elegiac manner.
She accepted his salute on a martyr-white brow. He said:
“I read about the fire. I was scared to death for you till I learned
that all the people were safe. I motored up to see the ruins. Some
ruins! Like to see'em?”
“I don't think I could stand the sight of them. They're my ruins, too.”
“How so?”
“Because the company won't rebuild or go on, and most of my pictures
were destroyed.”
“Your pretty, beautiful, gorgeous pictures gone! Oh, God help us! That's
too terrible to believe.”
She sighed, “It's true.”
“Why, I'd rather lose the Metropolitan Art Gallery than your films.
Can't they be made over?”
“They could, but who's to stand the expense?”
“I will, if you'll let me.”
“Mr. Dyckman!”
“I thought we'd agreed that my name was Jim.”
“Jim! You would do that for me!”
“Why not?”
“But why so?”
“Because--why, simply--er--it's the most natural thing in the world,
seeing that--Well, you're not sitting there pretending that you don't
know I love you, are you?”
“Oh dear, oh dear! It's too wonderful to believe, you angel!”
And then for the first time she flung her arms about his neck and kissed
him and hugged him, knelt on his lap and clasped him fiercely.
He felt as if a simoom of rapture had struck him, and when she told him
a dozen times that she loved him he could think of nothing to say but,
“Say, this is great!”
She forgave him the banality this time. When she had calmed herself a
little she said:
“But it would mean a frightful lot of money.”
“Whatever it costs, it's cheap--considering this.” He indicated her arm
about his neck. “I wouldn't let the world be robbed of the pictures of
you, Anita, not for any money.” He told her to tell Ferriday to make the
arrangements and send the estimates to him. And he said, “I won't ask
you to quit being photographed, even when we are married.”
“When we are married?” Kedzie parroted.
“Of course! That's where we're bound for, isn't it? Where else could
we pull up--that is, of course, assuming that you'll do me the honor of
anchoring a great artist like you up to a big dub like me. Will you?”
Public-domain text, read in full here on John Shaqi.
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