New York (State) -- Social life and customs -- Fiction
Meanwhile in another port he had found what we call “a bad woman.” There
had been no need to serenade her out into the streets. They were her
shop. No parents had guarded her hours; no priest was intermediary to
her possession. But once within her lair he had found himself where he
had always wanted to be, and she had found herself with the man she had
been hunting. She closed her window, drove her frequenters, old and new,
from the door; and he regretted that he had given pledges to that other
woman.
It was a pitiful state of affairs, no less pitiful for being old and
ugly and innumerously commonplace. It meant that Cheever under the white
cloak of matrimony had despoiled Charity of her innocence, and under the
red domino of intrigue had restored to Zada hers.
If Charity, sitting like a recording angel, invisible but hearing
everything, had found in the communion of Zada and Cheever only the
fervor of an amour, she could have felt that Cheever was merely a
libertine who loved his wife and his home but loved to rove as well.
She had, however, ghastly evidence that Cheever was only now the rake
reformed; his marriage had been merely one of his escapades; he had
settled down now to monogamy with Zada, and she was his wife in all but
style and title.
There was more of Darby and Joan than of Elvira and Don Juan in their
conversation. He told Zada with pride that he had not had a drink all
day, though he had needed alco-help and the other men had ridiculed
him. She told him that she had not had a drink for a week and only
one cigarette since her lonely dinner. They were in a state of mutual
reformation!
Where, then, was the sacrament of marriage? Which of the women held the
chalice now?
It was enforced on Charity that it was she and not Zada who had been the
inspirer and the victim of Cheever's flitting appetite. It was Zada and
not she who had won him to the calm, the dignity, the sincerity, the
purity that make marriage marriage. It was a hard lesson for Charity,
and she did not know what she ought to do with her costly knowledge. She
could only listen.
When Zada complained that she had had a dreadful day of blues Cheever
made jokes for her as for a child, and she laughed like the child
she was. For her amusement he even went to a piano and played, with
blundering three-chord accompaniment, a song or two. He played jokes
on the keyboard. He revealed none of the self-consciousness that he
manifested before Charity when he exploited his little bag of parlor
tricks.
Charity's mood had changed from horror to eager curiosity, and thence to
cold despair, to cold resentment. It went on to cold intelligence and a
belief that her life with Cheever was over. Their marriage was a proved
failure, and any further experiments with its intimacies would be
unspeakably vile. Or so she thought.
Public-domain text, read in full here on John Shaqi.
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