She wondered why he laughed, but she would not ask. Along many lines Kedzie did not know much, but in others she was uncannily acute. Kedzie was gleaning all her ideas of gentlemanship from Jim Dyckman. She knew that he had lineage and heritage and equipage and all that sort of thing, and he must be great because he knew great people. His careless simplicity, artlessness, shyness, all the things that distressed her at first, were now accepted as the standards of conduct for everybody. In life as in other arts, the best artists grow from the complex to the simple, the tortuous to the direct, from pose to poise, from tradition to truth, from artifice to reality. Kedzie was beginning to understand this and to ape what she could not do naturally. Her comet-like scoot from obscurity to fame in the motion-picture sky had exhausted the excitement of that sky, and now she was ashamed of being a wage-earner, a mere actress, especially a movie actress. If the studio had not caught fire and burned up so many thousands of yards of her portraiture she would have broken her contract without scruple. But the shock of the loss of her pretty images drove her back to the scene. The pity of so much thought, emotion, action, going up in smoke was too cruel to endure. It was not necessary for Dyckman to pay the expenses of their repetition in celluloid, as he offered. The Hyperfilm Company rented another studio and began to remake the destroyed pictures. They were speedily renewed because the scenarios had been rescued and there was little of that appalling waste of time, money, and effort which has almost wrecked the whole industry. They did not photograph a thousand feet for every two hundred used. Kedzie's first pictures had gone to the exchanges before the fire, and they were continuing their travels about the world while she was at work revamping the rest. About this time the Hyperfilm managers decided to move their factory to California, where the sempiternal sunlight insured better photography at far less expense. This meant that Kedzie must leave New York only partly conquered and must tear herself away from Jim Dyckman. She broke down and cried when she told Dyckman of this, and for the first time his sympathies were stampeded on her account. He petted her, and she slid into his arms with a child-like ingratiation that made his heart swell with pity. “What's the odds,” he said, attempting consolation, “where you work, so long as you work?” “But it would mean,” she sobbed--“it would mean taking me away-ay from you-ou.” This tribute enraptured Dyckman incredibly. That he should mean so much to so wonderful a thing as she was was unbelievably flattering. He had dogged Charity's heels with meek and unrewarded loyalty until he had lost all pride. Kedzie's tears at the thought of leaving him woke it to life again.