New York (State) -- Social life and customs -- Fiction
It was not a pretty scene. Gilfoyle took out his handkerchief and
pressed it to his face and the bridge of his nose. Then he looked at the
red marks and held them out for her to observe:
“See what you did to me!”
“I'm glad of it,” she snapped. “I wish I'd torn your eyes out.”
This alone would not necessarily have proved that she did not love
him devotedly, but in this case it corroborated a context of hatred.
Gilfoyle felt rebuffed. There was a distinct lack of hospitality in
her welcome. This reception was the very opposite of his imagined
rencounter.
He did what a man usually does, revealing a masculine inability to argue
with a woman. He told her all her faults of omission and commission as
if that would bring her to a reconciliating humor. She listened awhile,
and then answered, with a perfect logic that baffled him:
“All you say only goes to show that you don't love me. You never did.
You went away and left me. I might have starved, for all you cared. But
I've worked like a dog, and now that I've had a little success you come
back and say: 'How's the little wife? Where's the little kiss?' Agh! And
you dare to kiss me! And then you slander me. You don't give me credit
for these plain little rooms that I rent with my own hard-earned money.
You couldn't imagine me living in a place like this unless some man paid
for it. Heaven knows I'd have lived with you long enough before I ever
had a decent home. Humph! Well, I guess so! Humph!”
Gilfoyle mopped his face again and looked at his handkerchief. One's
own blood is very interesting. The sight of his wounds did not touch
Kedzie's heart. She could never feel sorry for anybody she was mad at.
Gilfoyle's wits were scattered. He mumbled, futilely, “Well, if that's
the way you feel about it!”
“That's the way I feel about it!” Kedzie raged on. “I suppose you've
had so many affairs of your own out there that you can't imagine anybody
else being respectable, can you?”
Gilfoyle had not come East to publish his autobiography. He thought that
a gesture of misunderstood despair would be the most effective evasion.
So he made it, and turned away. He put his handkerchief to his nose and
looked at it. He turned back.
“Would you mind if I went into your bathroom to wash my face?”
“I certainly would. Where do you think you are? You get on out before my
maid comes back. I don't want her to think I receive men alone!”
Her heart was cold as a toad in her breast, and she loathed his
presence. He repeated his excellent gesture of despair, sighed, “All
right,” and left the room. The two pieces of Jim Dyckman's photograph
were still on the floor of the hall. He stooped quickly and silently and
picked them up as he went out. He closed the door with all the elegy one
can put in a door with a snap-lock.
He was about to press the elevator button, but he did not like to
present himself gory to the elevator-boy. He walked down the marble and
iron steps zigzagging around the elevator shaft.
Public-domain text, read in full here on John Shaqi.
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