New York (State) -- Social life and customs -- Fiction
“Haven't you had enough, you little mucker? You threaten me or Miss
Adair again and I'll not leave enough of you to--to--”
He was not apt at phrases, but Connery felt metaphors enough in the size
of the fist before his nose. He put up his hands, palms forward, in the
ancient gesture of surrender. Then Gilfoyle turned cry-baby and began to
sob.
“You call her Miss Adair! But she's my wife. Mrs. Gilfoyle is what she
is, and you've taken her away from me. This is a rotten country, and you
rotten millionaires can do nearly anything you want to--but not quite.
You'll find that out. There are still a few courts and a few newspapers
you can't muzzle.”
Dyckman advanced against him, but Gilfoyle merely clung to the back
of his chair, and his non-resistance was his best shelter. It was
impossible for Dyckman to strike him. Secure in his helplessness, he
took full advantage of the tyranny of impotence. He rose to his feet and
went on with his lachrymose philippic.
“You're going to pay for what you've done, and pay high!”
The one thing that restrained Dyckman from offering to buy him out
was that he demanded purchase. Like most rich people, Dyckman was the
everlasting target of prayers and threats. He could be generous to an
appeal, but a demand locked his heart.
He answered Gilfoyle's menace, bluntly, “I'll pay you when hell freezes
over, and not a cent before.”
“Well, then, you stand from under,” Gilfoyle squealed. “There's a law
in this State against home-wreckers like you, and I can send you to the
penitentiary for breaking it.”
Dyckman's rage blackened again; he caught Gilfoyle by the shoulder and
roared: “You foul-mouthed, filthy-minded little sneak! You say a word
against your wife and I'll throw you out of the window. She's too decent
for you to understand. You get down on your knees and ask her pardon.”
He forced Gilfoyle to his knees, but he could not make him pray. And
Kedzie fell back from him. She was afraid to pose as a saint worthy of
genuflection. Connery re-entered the conflict with a sneer:
“Aw, tell it to the judge, Dyckman! Tell it to the judge! See how good
it listens to him. We'll tell him how we found you here; and you tell
him you were holding a prayer-meeting. You didn't want to be disturbed,
so you didn't have even a servant around--all alone together at this
hour.”
Then a new, strange voice spoke in.
“Who said they were alone?”
The four turned to see Mrs. Thropp filling the hall doorway, and Adna's
head back of her shoulder. It was really a little too melodramatic. The
village lassie goes to the great city; her father and mother arrive in
all their bucolic innocence just in time to save her from destruction.
Connery, whose climax she had spoiled, though she had probably saved his
bones, gasped, “Who the hell are you?”
“I'm this child's mother; that's who I am. And that's her father. And
what's more, we've been here all evening, and you'd better look out how
you swear at me or I'll sick Mr. Dyckman on you.”
Public-domain text, read in full here on John Shaqi.
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