English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_Bos._ Yes, I hold my weary soul in my teeth;
'Tis ready to part from me. I do glory
That thou, which stood'st like a huge pyramid
Begun upon a large and ample base,
Shalt end in a little point, a kind of nothing.
_Enter below_, PESCARA, MALATESTI, RODERIGO, _and_ GRISOLAN.
_Pes._ How now, my lord!
_Mal._ O sad disaster!
_Rod._ How comes this?
_Bos._ Revenge for the Duchess of Malfi murdered
By the Arragonian brethren; for Antonio
Slain by this hand; for lustful Julia
Poisoned by this man; and lastly for myself,
That was an actor in the main of all
Much 'gainst mine own good nature, yet i' the end
Neglected.
_Pes._ How now, my lord!
_Card._ Look to my brother:
He gave us these large wounds, as we were struggling
Here i' the rushes.[143] And now, I pray, let me
Be laid by and never thought of. [_Dies._
_Pes._ How fatally, it seems, he did withstand
His own rescue!
_Mal._ Thou wretched thing of blood
How came Antonio by his death?
_Bos._ In a mist; I know not how:
Such a mistake as I have often seen
In a play. O, I am gone!
We are only like dead walls or vaulted graves,
That, ruined, yield no echo. Fare you well.
It may be pain, but no harm, to me to die
In so good a quarrel. O, this gloomy world!
In what a shadow, or deep pit of darkness,
Doth womanish and fearful mankind live!
Let worthy minds ne'er stagger in distrust
To suffer death or shame for what is just:
Mine is another voyage. [_Dies._
_Pes._ The noble Delio, as I came to the palace,
Told me of Antonio's being here, and showed me
A pretty gentleman, his son and heir.
_Enter_ DELIO _and_ ANTONIO'S Son.
_Mal._ O sir, you come too late!
_Delio._ I heard so, and
Was armed for't, ere I came. Let us make noble use
Of this great ruin; and join all our force
To establish this young hopeful gentleman
In's mother's right. These wretched eminent things
Leave no more fame behind 'em, than should one
Fall in a frost, and leave his print in snow;
As soon as the sun shines, it ever melts,
Both form and matter. I have ever thought
Nature doth nothing so great for great men
As when she's pleased to make them lords of truth:
Integrity of life is fame's best friend,
Which nobly, beyond death, shall crown the end.
[_Exeunt._
_THE ATHEIST'S TRAGEDY; OR, THE HONEST MAN'S REVENGE._
Cyril Tourneur's _Atheist's Tragedy; or, the Honest Man's Revenge_, was
first printed in 1611, "as in divers places it hath often been acted."
It was probably written earlier than _The Revenger's Tragedy_.
It was not printed again until 1792, and was subsequently included in
Churton Collins's edition of Tourneur's works.
_DRAMATIS PERSONÆ._
MONTFERRERS, a Baron
BELFOREST, a Baron.
D'AMVILLE, Brother of MONTFERRERS.
CHARLEMONT, Son of MONTFERRERS.
ROUSARD, elder Son of D'AMVILLE.
SEBASTIAN, younger Son of D'AMVILLE.
Public-domain text, read in full here on John Shaqi.
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