English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_D'Am._ Morrow, kind nephew.
What, ha' you washed your eyes wi' tears this morning?
Come, by my soul, his purpose does deserve
Your free consent;--your tenderness dissuades him.
What to the father of a gentleman
Should be more tender than the maintenance
And the increase of honour to his house?
My lord, here are my boys. I should be proud
That either this were able, or that inclined
To be my nephew's brave competitor.
_Mont._ Your importunities have overcome.
Pray God my forced grant prove not ominous!
_D'Am._ We have obtained it.--Ominous! in what?
It cannot be in anything but death.
And I am of a confident belief
That even the time, place, manner of our deaths
Do follow Fate with that necessity
That makes us sure to die. And in a thing
Ordained so certainly unalterable,
What can the use of providence prevail?
_Enter_ BELFOREST, LEVIDULCIA, CASTABELLA, _and_ Attendants.
_Bel._ Morrow, my Lord Montferrers, Lord D'Amville.
Good morrow, gentlemen. Cousin Charlemont,
Kindly good morrow. Troth, I was afeared
I should ha' come too late to tell you that
I wish your undertakings a success
That may deserve the measure of their worth.
_Charl._ My lord, my duty would not let me go
Without receiving your commandëments.
_Bel._ Accompliments are more for ornament
Then use. We should employ no time in them
But what our serious business will admit.
_Mont._ Your favour had by his duty been prevented
If we had not withheld him in the way.
_D'Am._ He was a coming to present his service;
But now no more. The book invites to breakfast.
Wilt please your lordship enter?--Noble lady!
[_Exeunt all except_ CHARLEMONT _and_ CASTABELLA.
_Charl._ My noble mistress, this accompliment
Is like an elegant and moving speech,
Composed of many sweet persuasive points,
Which second one another, with a fluent
Increase and confirmation of their force,
Reserving still the best until the last,
To crown the strong impulsion of the rest
With a full conquest of the hearer's sense;
Because the impression of the last we speak
Doth always longest and most constantly
Possess the entertainment of remembrance.
So all that now salute my taking leave
Have added numerously to the love
Wherewith I did receive their courtesy.
But you, dear mistress, being the last and best
That speaks my farewell, like the imperious close
Of a most sweet oration, wholly have
Possessed my liking, and shall ever live
Within the soul of my true memory.
So, mistress, with this kiss I take my leave.
_Cast._ My worthy servant, you mistake the intent
Of kissing. 'Twas not meant to separate
A pair of lovers, but to be the seal
Of love; importing by the joining of
Our mutual and incorporated breaths,
That we should breathe but one contracted life.
Or stay at home, or let me go with you.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account