English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
[111] As previously Antonio has been told that he must attend the
Duchess "in the gallery," it would seem that the audience were to
imagine a change of scene had taken place (_i.e._, at the exit of
Ferdinand).--_Dyce._
[112] _The Two Faithful Friends, the pleasant History of Alexander
and Lodwicke, who were so like one another, that none could know them
asunder; wherein is declared how Lodwicke married the Princesse of
Hungaria, in Alexander's name, and how each night he layd a naked sword
betweene him and the Princesse, because he would not wrong his friend,_
is reprinted from the Pepys collection in Evans's _Old Ballads_. There
was also a play written by Martin Slaughter, called _Alexander and
Lodowick.--Dyce._
[113] A cant term for the insolent bloods and vapourers of the
time--_Dyce._
[114] Another cant term.
[115] State journey.
[116] A leperous eruption.
[117] Buy new housings for his beast.
[118] Hysterics.
[119] Rascal.
[120] The lowest class of menials.
[121] Strong broths. The old receipt-books recommend "pieces of gold"
among the ingredients.--_Dyce._
[122] Compare Shakespeare:
"And shrieks, like mandrakes torn out of the earth,
That living mortals hearing them run mad."
_Romeo and Juliet_, A. iv. s. 3.
[123] Query "rapture."
[124] Substance or property.
[125] _i.e._ Foolish.
[126] Orris.
[127] Plutus.
[128] "The vexed Bermoothes" was the island of Bermuda.
[129] Francis I., who surrendered to Lannoy at the battle of Pavia.
[130] Plan.
[131] Camp.
[132] Trimmed.
[133] Dyce suggests that here the audience had to imagine a change
of scene--to the lodging of the Duchess, who is confined to certain
apartments in her own palace.
[134] Curtain.
[135] Band.
[136] Coach.
[137] "She has lived among horrors till she is become 'native and
endowed unto that element.' She speaks the dialect of despair, her
tongue has a smatch of Tartarus and the souls in bale. What are 'Luke's
iron crown,' the brazen bull of Perillus, Procrustes' bed, to the waxen
images which counterfeit death, to the wild masque of madmen, the
tomb-maker, the bell-man, the living person's dirge, the mortification
by degrees! To move a horror skilfully, to touch a soul to the quick,
to lay upon fear as much as it can bear, to wean and weary a life till
it is ready to drop, and then step in with mortal instruments to take
its last forfeit; this only a Webster can do. Writers of an inferior
genius may 'upon horror's head horrors accumulate,' but they cannot
do this. They mistake quantity for quality, they 'terrify babes with
painted devils,' but they know not how a soul is capable of being
moved; their terrors want dignity, their affrightments are without
decorum."--C. Lamb, _Spec. of Eng. Dram. Poets._
[138] This was a common superstition of the time.
[139] Fraught.
[140] Skeletons.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account