English drama -- 17th century; English drama -- Early modern and Elizabethan, 1500-1600
_Ant._ Truth speak for me;
I will remain the constant sanctuary
Of your good name.
_Duch._ I thank you, gentle love:
And 'cause you shall not come to me in debt,
Being now my steward, here upon your lips
I sign your _Quietus est_. This you should have begged now:
I have seen children oft eat sweetmeats thus,
As fearful to devour them too soon.
_Ant._ But for your brothers?
_Duch._ Do not think of them:
All discord without this circumference
Is only to be pitied, and not feared:
Yet, should they know it, time will easily
Scatter the tempest.
_Ant._ These words should be mine,
And all the parts you have spoke, if some part of it
Would not have savoured flattery.
_Duch._ Kneel.
[CARIOLA _comes from behind the arras._
_Ant._ Ha!
_Duch._ Be not amazed; this woman's of my counsel:
I have heard lawyers say, a contract in a chamber
_Per verba presenti_ is absolute marriage.
[_She and_ ANTONIO _kneel._
Bless, Heaven, this sacred gordian, which let violence
Never untwine!
_Ant._ And may our sweet affections, like the spheres,
Be still in motion!
_Duch._ Quickening, and make
The like soft music!
_Ant._ That we may imitate the loving palms,
Best emblem of a peaceful marriage,
That never bore fruit, divided!
_Duch._ What can the church force more?
_Ant._ That fortune may not know an accident,
Either of joy or sorrow, to divide
Our fixèd wishes!
_Duch._ How can the church build faster?
We now are man and wife, and 'tis the church
That must but echo this.--Maid, stand apart:
I now am blind.
_Ant._ What's your conceit in this?
_Duch._ I would have you lead your fortune by the hand.
Unto your marriage bed:
(You speak in me this, for we now are one:)
We'll only lie, and talk together, and plot
To appease my humorous kindred; and if you please,
Like the old tale in Alexander and Lodowick,[112]
Lay a naked sword between us, keep us chaste.
O, let me shrowd my blushes in your bosom,
Since 'tis the treasury of all my secrets!
[_Exeunt_ DUCHESS _and_ ANTONIO.
_Cari._ Whether the spirit of greatness or of woman
Reign most in her, I know not; but it shows
A fearful madness: I owe her much of pity. [_Exit._
ACT THE SECOND.
SCENE I.--_An Apartment in the Palace of the_ DUCHESS.
_Enter_ BOSOLA _and_ CASTRUCCIO.
_Bos._ You say you would fain be taken for an eminent courtier?
_Cast._ 'Tis the very main of my ambition.
Public-domain text, read in full here on John Shaqi.
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