I have already alluded to the subterranean portion of the house, which
extended under the great room. A long vault, corresponding to the
gallery above, led to these cellars. It was rather a frightful place to
go into in search of the source of a shriek. Its darkness was scarcely
affected by the candle she carried; it seemed only to blind herself. She
tried holding it above her head, and then she could see a little. The
black tunnel stretched on and on, like a tunnel in a feverish dream, a
long way before the cellars began to open from it. She advanced, I
cannot say fearless, but therefore only the more brave. She felt as if
leaving life and safety behind, but her imagination was not much awake,
and her mental condition made her almost inclined to welcome death. She
reached at last the coal-cellar, the first that opened from the passage,
and looked in. The coal-heap was low, and the place looked large and
very black. She sent her keenest gaze through the darkness, but could
see nothing; went in and moved about until she had thrown light into
every corner: no one was there. She was on the point of returning when
she bethought herself there were other cellars--one the wine-cellar,
which was locked: she would go and see if Sarah knew anything about the
key of it. But just as she left the coal-cellar, she heard a moan,
followed by a succession of low sobs. Her heart began to beat violently,
but she stopped to listen. The light of her candle fell upon another
door, a pace or two from where she stood. She went to it, laid her ear
against it, and listened. The sobs continued a while, ceased, and left
all silent. Then clear and sweet, but strange and wild, as if from some
region unearthly, came the voice of a child: she could hear distinctly
what it said.
"Mother," it rang out, "you _may_ put me in the hole."
And the silence fell deep as before.
Hester stood for a moment horrified. Her excited imagination suggested
some deed of superstitious cruelty in the garden of the house adjoining.
Nor were the sobs and cries altogether against such supposition. She
recovered herself instantly, and ran back to the kitchen.
"You have the keys of the cellars--have you not, Sarah?" she said.
"Yes, miss, I fancy so."
"Where does the door beyond the coal-cellar lead out to?"
"Not out to nowhere, miss. That's a large cellar as we never use. I
ain't been into it since the first day, when they put some of the
packing-cases there."
"Give me the key," said Hester. "Something is going on there we ought to
know about."
"Then pray send for the police, miss!" answered Sarah, trembling. "It
ain't for you to go into such places--on no account!"
"What! not in our own house?"
"It's the police's business, miss!"
"Then the police are their brothers' keepers, and not you and me,
Sarah?"
"It's the wicked as is in it, I fear, miss."
"It's those that weep anyhow, and they're our business, if it's only to
weep with them. Quick! show me which is the key."
Public-domain text, read in full here on John Shaqi.
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