To her reference to Browning then, Vavasor did not venture a reply. None
of the poetry indeed by him cultivated was of any sort requiring study.
The difficulty Hester found in his song came of her trying to see more
than was there; her eyes made holes in it, and saw the less. Vavasor's
mental condition was much like that of one living in a vacuum or sphere
of nothing, in which the sole objects must be such as he was creator
enough to project from himself. He had no feeling that he was in the
heart of a crowded universe, between all whose great verities moved
countless small and smaller truths. Little notion had he that to learn
these after the measure of their importance, was his business, with
eternity to do it in! He made of himself but a cock, set for a while on
the world's heap to scratch and pick.
When he was gone, leaving his manuscript behind him, Hester set to it
again, and trying the music over, was by it so far enlightened that she
despaired of finding anything in it, and felt a good deal disappointed.
For she was continuing to gather interest in Vavasor, though slowly, as
was natural with a girl of her character. But she had no suspicion
_how_ empty he was, for it was scarcely possible for her to imagine
a person indifferent to the truth of things, or without interest in his
own character and its growth. Being all of a piece herself, she had no
conception of a nature all in pieces--with no unity but that of
selfishness. Her nature did now and then receive from his a jar and
shock, but she generally succeeded in accounting for such as arising
from his lack of development--a development which her influence over him
would favor. If she felt some special pleasure in the possession of that
influence, who will blame her for the weakness?
Public-domain text, read in full here on John Shaqi.
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